The Voice of the Moon

In a sun‑splashed Italian countryside that feels equal parts postcard and television set, the world of The Voice of the Moon swirls with relentless commercials, booming rock anthems, solemn Catholic processions and wild pagan rites. The landscape itself seems to pulse to a constant broadcast, turning everyday villages into stages for absurd spectacles. Amid this kaleidoscopic backdrop, a sense of both wonder and weariness hangs in the air, as if the very horizon is humming a lullaby that is both playful and melancholy.

Fresh from the confines of a mental asylum, Ivo Salvini steps back into society with a restless curiosity and an almost devotional longing for the moon’s elusive glow. His path quickly entwines with that of Gonnella, a former prefect whose career was derailed by a growing paranoia that now fuels a bizarre partnership. Together they drift from town to town, their oddball alliance a parody of authority and ambition, while they encounter an array of eccentric figures—an oboist’s silent wife, rooftop meditatists, and other dream‑like personalities that flicker in and out of the scene like fleeting radio frequencies.

A central thread in their wandering is Aldina Ferruzzi, a woman who embodies the lunar light Ivo reveres, sparking an intense but unreciprocated infatuation that colors his every move. Their journey also brushes against the enigmatic presence of the Micheluzzi brothers, whose larger‑than‑life aspirations hint at a world where the ordinary is constantly reshaped by the extraordinary. The film balances razor‑sharp satire with a tender sadness, inviting viewers to linger in its surreal carnival, listening for the quiet moments that linger beneath the clamor of a society that never quite knows how to turn the volume down.

Last Updated: December 03, 2025 at 23:41