The Traffic Policeman

The Traffic Policeman

Year: 1960

Runtime: 104 mins

Language: Italian

Director: Luigi Zampa

Comedy

An unemployed man gets a job as traffic policeman but the traffic in the big city creates innumerous problems for the poor guy.

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Timeline & Setting – The Traffic Policeman (1960)

Explore the full timeline and setting of The Traffic Policeman (1960). Follow every major event in chronological order and see how the environment shapes the story, characters, and dramatic tension.

Time period

1950s

Set in the early postwar era of Italy, the film shows a country rebuilding and navigating new social norms. Mass media begins to loom large, as illustrated by a nationwide TV appearance that alters public perception. The period is defined by political maneuvering within local government and a shifting moral landscape.

Location

Latium, Italy

The story unfolds in a small Latium town, a tight-knit provincial community centered around its market and town hall. The setting provides a microcosm of postwar Italian life, with local politics shaping daily routines and reputations. The town’s markets, streets, and municipal offices form the backdrop for Otello’s rise and fall as traffic police.

🏘️ Provincial town 🗺️ Latium region 🇮🇹 Italy

Last Updated: October 04, 2025 at 17:44

Main Characters – The Traffic Policeman (1960)

Meet the key characters of The Traffic Policeman (1960), with detailed profiles, motivations, and roles in the plot. Understand their emotional journeys and what they reveal about the film’s deeper themes.

Otello Celletti (Alberto Sordi)

A war veteran who becomes a traffic policeman after years of unemployment. He is proud, insecure about his status, and prone to abusing his authority for petty revenge. His incompetence at times masks a sharper instinct for leverage, which the political climate quickly exploits. The story tracks his rise, exposure, and eventual manipulation within a corrupt system.

🪖 Veteran 🎭 Flawed anti-hero

Amalia Celletti (Marisa Merlini)

Otello’s wife, living with his family under constrained circumstances. She embodies the civilian consequences of political games and personal secrets. Her presence grounds Otello’s personal life amid the town’s public shenanigans. She remains a steady, if peripheral, witness to the unfolding drama.

👩 Wife 💬 Domestic life

Il sindaco (Vittorio De Sica)

The town mayor whose political career hinges on public image and maneuvering. He uses threats and political leverage to control Otello and maintain his grip on power, while also facing personal scandals he attempts to suppress. His intelligence is matched by a willingness to manipulate information to preserve his position.

🗳️ Politician 🕵️ Corrupt

Sylva Koscina (Herself)

A famous actress who encounters Otello on the road and becomes a focal point of the public’s imagination. Her presence and later TV moment amplify the drama around Otello’s authority and the town’s view of celebrity influence. She embodies the collision between stardom and everyday power.

🎬 Actress 🌟 Public figure

Segretaria del sindaco (Rossana Canghiari)

The mayor’s secretary, a desk-bound observer of the political machine. Her role highlights the administrative side of town governance and the flow of information that determines political advantage. She represents the quiet, procedural layer of the local government machinery.

🗂️ Secretary 🕰️ Office staff

Il tenente dei vigili (Riccardo Garrone)

The lieutenant of the traffic police, a subordinate figure who participates in Otello’s policing world. He helps illustrate the chain of command and the institutional environment Otello navigates. His presence underscores the systemic nature of the town’s authority.

🚨 Police 🔎 Investigator

Il comandante dei vigili (Gianni Solaro)

The head of the traffic police, a figure who represents the formal authority Otello must contend with. His role emphasizes the hierarchical pressure and institutional oversight that shape Otello’s actions. He embodies the procedural aspect of law enforcement in the town.

🚓 Chief 🧠 Strategist

Last Updated: October 04, 2025 at 17:44

Major Themes – The Traffic Policeman (1960)

Explore the central themes of The Traffic Policeman (1960), from psychological, social, and emotional dimensions to philosophical messages. Understand what the film is really saying beneath the surface.

🏛️ Power & Corruption

Otello’s ascent through the traffic police ranks exposes how authority can be misused for petty revenge rather than public service. The Mayor counteracts dissent with coercive tactics, aiming to protect his image and grip on power. The film satirizes bureaucratic hierarchies where personal vindictiveness intrudes on governance. It ultimately questions whether power justifies the means used to retain it.

📺 Public Image

A celebrity encounter and a prime-time TV moment show how appearances can shape political luck more than actual performance. Otello’s mercy toward a famous actress becomes a public spectacle that tests his credibility. The Musichiere appearance demonstrates the power of media to influence public opinion and political fortunes. The story uses broadcast moments to reveal how reputation is manufactured.

⚖️ Hypocrisy

Compromising information about Otello’s private life is weaponized to derail his political prospects. The Mayor’s willingness to expose personal secrets highlights a double standard between public virtue and private vice. The film contrasts supposed moral authority with realpolitik, showing how ethical lines are blurred in the pursuit of power. The ending offers a form of poetic justice that critiques this hypocrisy.

Last Updated: October 04, 2025 at 17:44

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The Traffic Policeman Summary

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The Traffic Policeman Summary

The Traffic Policeman Timeline

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The Traffic Policeman Timeline

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