The Three Lives of Thomasina

In the rolling hills of early‑century Inveranoch, Scotland, a modest home hums with the quiet rhythm of daily life. Andrew MacDhui, a respected veterinarian, shares his modest household with his seven‑year‑old daughter, Mary McDhui, whose world revolves around a sleek, amber‑eyed cat named Thomasina. The film opens with the feline’s gentle narration, inviting the audience into a landscape where the ordinary and the enchanted coexist beneath mist‑kissed lochs and the soft drone of bagpipes.

Thomasina is more than a pet; she is the living thread that ties Mary’s imagination to the wider world. When an unexpected accident leaves the cat seriously ill, Andrew faces a painful professional dilemma, balancing his medical oath with his daughter’s heartfelt pleas. The tension between scientific certainty and a child’s boundless hope casts a delicate shadow over the household, hinting at deeper emotional fissures waiting to be explored.

Into this fragile balance steps Lori MacGregor, a youthful woman who arrives from the nearby glen with an air of mystery and a reputation for tending animals in ways that seem almost magical. Her presence introduces an intriguing contrast to Andrew’s clinical approach, suggesting that compassion and intuition might hold their own kind of medicine. The townsfolk watch with a mixture of curiosity and skepticism as the two worlds—rigorous veterinary practice and the whispered folklore of a “witch”—draw nearer.

The story settles into a tone that blends gentle humor with wistful melancholy, painting a portrait of a family and a community on the brink of quiet transformation. As the wind sweeps through the heather‑covered valleys, the audience is left wondering how love, duty, and perhaps a touch of enchantment will shape the lives intertwined with the fate of a single, beloved cat.

Last Updated: December 04, 2025 at 23:46