The Stendhal Syndrome

The Stendhal Syndrome

Year: 1996

Runtime: 119 mins

Language: Italian

Director: Dario Argento

ThrillerHorrorHorror

Murder is treated as an art form, and she becomes its living canvas. A determined young policewoman pursues an elusive serial rapist‑killer across Italy, her obsession with the case slowly eroding her sanity. As the hunt intensifies, she becomes the predator’s next victim, trapped in his brutal fixation.

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Timeline – The Stendhal Syndrome (1996)

Trace every key event in The Stendhal Syndrome (1996) with our detailed, chronological timeline. Perfect for unpacking nonlinear stories, spotting hidden connections, and understanding how each scene builds toward the film’s climax. Whether you're revisiting or decoding for the first time, this timeline gives you the full picture.

1

Anna arrives in Florence to pursue Alfredo Grossi

Detective Anna Manni travels to Florence to hunt the serial rapist and killer Alfredo Grossi. She follows leads through the city, coordinating with local officers and immersing herself in the case's atmosphere. The search begins in earnest as she narrows down where Alfredo might strike next.

Florence
2

Stendhal syndrome strikes at the museum

In a Florence museum, Anna stands before great works of art and is overwhelmed by Stendhal syndrome. The intense experience leaves her disoriented and emotionally vulnerable. This moment reveals Alfredo's ability to exploit her fragility.

Florence Museum
3

Alfredo exploits the condition and abducts Anna

Alfredo learns of Anna's syndrome and uses it to disable her during a confrontation. He abducts her and subjects her to a brutal and sadistic sexual attack, showing the extent of his predation. The attack leaves Anna traumatized and physically and emotionally violated.

4

Anna escapes, but Alfredo recaptures her

Anna manages to escape the first captivity, breaking free from Alfredo's grip. Alfredo relentlessly tracks her movements and manages to recapture her later, resuming his control. The threat to Anna continues to loom as she tries to stay ahead.

5

Anna defeats Alfredo in the river

In a brutal confrontation, Anna breaks free from Alfredo's grasp, wounds him severely, and hurls him into a river. Believing him dead, the police search the water for his body and declare the case closed. The dramatic river scene marks a temporary triumph for Anna but leaves lasting psychological scars.

River (Florence)
6

Anna meets Marie and falls in love

While the police search for Alfredo, Anna meets Marie, a young French art student, and she falls in love. The relationship provides a beacon of happiness amid her trauma, complicating her sense of safety. Anna's emotional life begins to heal through this new bond.

Florence
7

Therapy begins as Anna confronts trauma

Anna begins therapy with a psychologist to process her deep-seated trauma. The sessions explore the violence of her experiences and the grip of fear that still haunts her. The therapy becomes a central thread in her attempt to rebuild her life.

Therapist's office
8

Calls from the presumed-dead Alfredo intensify the terror

Anna starts receiving phone calls from the supposedly-dead Alfredo, shattering any sense of safety. The calls blur the lines between reality and manipulation, driving her deeper into distress. The reality of Alfredo's presence seems closer than ever.

9

Marie is murdered

Marie is found murdered, a brutal blow to Anna's already fragile psyche. The loss compounds her guilt and confusion as she questions what is real and who is responsible for the violence around her. The tragedy escalates the crisis that has been unfolding.

10

The psychologist confronts Anna with the truth

Anna's psychologist visits her at home as Marco calls to report that Alfredo's body has been found. The revelation leads the psychologist to realize the truth: Anna herself is Marie's murderer. He confronts Anna with this grim possibility, forcing her to confront what she has done.

Anna's apartment
11

Marco arrives and finds the psychologist dead

Marco arrives at Anna's apartment to confront her and discovers that Anna has killed her psychologist as well. The mounting danger around Anna becomes personal and immediate.

Anna's apartment
12

Anna murders Marco during a confrontation

Anna, in a final act of desperation, confesses that Alfredo is now inside her, ordering her to do terrible things. When Marco tries to take the gun, she murders him in cold blood.

Anna's apartment
13

Police arrest Anna in the streets

The police arrive on the streets and arrest Anna, ending her violent spree. She wanders the streets at the moment of arrest, a broken figure overwhelmed by the night's trauma.

Florence streets

Last Updated: October 05, 2025 at 11:39

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These films are united by their focus on the psychological aftermath of extreme violence. They share a high-intensity, oppressive mood, a dark tone with no redemption, and a core theme of how trauma can permanently alter or erase a person's identity.

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The Stendhal Syndrome Summary

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Characters, Settings & Themes in The Stendhal Syndrome

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