The Bloody Exorcism of Coffin Joe

In the quiet outskirts of Brazil, José Mojica Marins escapes the bustle of the film set for a modest Christmas retreat. He arrives at a remote farm owned by his longtime friend Álvaro, hoping the change of scenery will spark the next screenplay that has haunted his imagination. The property, tucked among wind‑swept fields and a weathered homestead, exudes a timeless, almost folkloric charm that feels both comforting and eerily isolated—an ideal backdrop for a holiday that promises tranquility.

Inside the farmhouse, a small but lively group gathers: Álvaro’s steady‑hearted wife Lúcia, their three daughters—curious Betinha, thoughtful Luciana, and the soon‑to‑be‑married Vilma—along with Álvaro’s aging father Mr. Julio and his fiancé Carlos. The family dynamics are warm, peppered with the familiar banter of close kin and the subtle tensions that surface when old traditions meet new expectations. As the evening lights flicker and the scent of pine mingles with homemade meals, a palpable sense of anticipation hangs in the air, hinting that the festive spirit may be sharing space with something less ordinary.

Yet, as night deepens, the farm’s serene veneer begins to fray. Unsettling noises ripple through the corridors, shadows shift without source, and an inexplicable chill settles over the rooms. An unseen, malevolent presence seems to seep into the home, stirring an undercurrent of dread that quietly infiltrates the gathering. The juxtaposition of holiday cheer and an emerging supernatural tension creates a mood that is both hypnotic and unsettling, promising a night where the line between imagination and reality may finally blur.

Last Updated: December 04, 2025 at 18:19