Symptoms

In the quiet expanse of the English countryside, a secluded manor perched beside a still lake waits under a veil of ivy‑covered stone. The house, timeless and slightly off‑kilter, seems to breathe with the surrounding forest, its windows reflecting the ever‑changing weather and an uneasy stillness that hints at hidden histories. When a young woman accepts an invitation to spend a weekend there, the remote setting itself becomes a character, promising both refuge and mystery.

Helen, a reclusive translator returning to England after a painful breakup, opens the doors of her family’s estate to her longtime friend Anne. Their reunion is tinged with the distance that has grown between them, a mixture of unspoken longing and the fragile attempt to reconnect. As they settle into the manor’s winding corridors, their conversations drift between the ordinary and the unsettling, each word a thread pulling at memories and doubts that have lingered since their last meeting.

The manor’s atmosphere thickens with each passing hour. Storm clouds gather, wind rattles shutters, and the lake below glimmers with a quiet that feels almost accusatory. Local whispers about a past drowning echo through the halls, and the presence of a solitary handyman who watches from the stables adds an undercurrent of watchful curiosity. These elements combine to create a suffocating sense of being watched by the house itself, as if the walls remember what the living have long tried to forget.

All the while, the tension between Helen and Anne oscillates between tenderness and strain, their bond tested by the isolation and the uncanny mood of the estate. The film lingers on the fragile line between comfort and dread, inviting the audience to wonder what secrets the manor holds and how the past may seep into the present, shaping the fragile connection between two women on the brink of rediscovery.

Last Updated: December 04, 2025 at 18:21