Summer in February

In the scenic Cornish countryside of 1913, a lively community of bohemian artists, known as the Lamorna Group, flourished. Key figures like Alfred Munnings, Laura Knight, and Harold Knight contributed to a vibrant artistic atmosphere that inspired many.

Gilbert Evans, a gentle man with a military background, integrated into the artistic community drawn by the charisma of Alfred Munnings. Captivated by the artists' passion, he began to find his own place among them.

Florence Carter-Wood arrived in Lamorna to improve her painting skills and reconnect with her brother Joey, who was already part of the community. She sought refuge from her father's restrictions and was welcomed by the vibrant artistic circle.

Enchanted by Florence's beauty and spirit, Gilbert began documenting their encounters in his diary. His writings captured the essence of their growing bond, reflecting his deepening affection for her.

AJ took Florence under his wing, engaging her in sketching exercises and inspiring her to become his muse for the painting 'The Morning Ride.' Their relationship flourished, much to Gilbert's sorrow as he continued to harbor feelings for her.

AJ proposed to Florence, who joyously accepted the engagement, filled with excitement about her future. This moment of happiness marked a turning point in her life, yet it also began to sow seeds of doubt.

At a prestigious exhibition at the Royal Academy, Florence's portrait was displayed alongside those of other women. This public revelation humiliated her, leading to moments of vulnerability where she confided in Gilbert about her regrets.

During her wedding ceremony, Florence pleaded with AJ to remove her portrait from the exhibition, but he obstinately refused. This arrogance shattered her spirit and pushed her towards a tragic decision.

Overwhelmed by despair, Florence attempted to take her own life with cyanide, nearly losing her life. This traumatic incident prompted her to seek solace and support from Gilbert in the wake of her heartbreak.

In search of a fresh start, Florence found refuge in an abandoned cottage, with Gilbert providing compassion during her healing process. However, AJ's unwanted advances continued to haunt her, forcing her to protect her newfound sanctuary.

Tensions arose as Gilbert announced his plans to go to Africa, leading to an argument with Florence. In her turmoil, they fled to the cottage, where their relationship evolved into something deeper and more intimate.

Florence discovered she was pregnant, revealing the father's identity to Laura Knight. This revelation laid bare the fraukturen of her engagement to AJ and led her to navigate the complexities of her situation.

At a party hosted by the Knights, AJ learned the truth about Florence’s pregnancy. This discovery intensified her emotional turmoil, leading her to seek refuge once more in the cottage, drowning in despair.

Two years later, Gilbert returned to Cornwall to pay homage to Florence by placing flowers on her grave. This act symbolized his enduring love and the profound impact she had on his life.

The film concludes with reflections on the characters' journeys, showcasing how AJ achieved acclaim at the Royal Academy while Gilbert preserved Florence's legacy with her portrait. Their intertwined paths illustrate the lasting effects of love and art.