Summer in February

In the rolling hills and windswept shores of Cornwall, a tight‑knit community of bohemian artists gathers in the years just before the Great War. Their days are spent chasing light on the rugged coastline, swapping ideas beneath the open sky, and feeding an ever‑growing hunger for creative freedom. The lamplit studios and bustling cafés of the Lamorna Group pulse with an electric mix of ambition, romance, and the restless energy of a world on the brink of change, setting a tone that is both tenderly nostalgic and quietly foreboding.

At the heart of this enclave stands Alfred Munnings, a celebrated painter whose reputation draws admirers and challengers alike. Into his circle arrives Florence Carter‑Wood, a spirited young woman eager to escape the strictures of her upbringing and refine her own artistic voice. Alongside them, Gilbert Evans, a former military man turned gentle confidant, navigates his place within the group, his quiet devotion offering a steady counterpoint to the more flamboyant talents. The three form a delicate triangle of affection, ambition, and friendship, each drawn to the others’ magnetism while wrestling with the expectations of their craft and the era.

The film unfolds with a lush, painterly atmosphere, inviting the audience to linger over sun‑drenched vistas and the soft rustle of canvas against easel. As the characters pursue their desires—whether the promise of love, the pursuit of artistic mastery, or the yearning for personal freedom—their intertwined lives hint at inevitable choices that will shape their futures. Against a backdrop of breathtaking scenery and whispered hopes, the story promises a poignant exploration of how passion can both illuminate and complicate the most intimate of relationships.

Last Updated: August 10, 2025 at 05:54