Spaceman

In the near‑future, an international space race sends a lone Czech astronaut on a six‑month solo trek toward a mysterious dust cloud called Chopra, floating just beyond Jupiter. The stark, silent corridor of the vessel becomes both a laboratory and a confessional, where the endless black outside mirrors the internal void left by a life paused on Earth. The film balances the clinical precision of a deep‑space mission with a lingering, almost poetic melancholy, inviting the audience to feel the weight of every breath taken in isolation.

At the heart of the story is Jakub Procházka, whose determination to advance humanity’s knowledge is matched only by the ache of being severed from his beloved Lenka and the future they imagined together. Their connection is strained not just by distance but by a chain of bureaucratic decisions, notably the cautious interference of Commissioner Tuma, who filters communication in the name of morale. As Jakub drifts farther from home, his loneliness takes on a tangible shape when he discovers an unusual, spider‑like entity hidden in a maintenance alcove. Naming it Hanuš, he finds an uncanny companion whose telepathic curiosity offers an eerie yet comforting presence, turning the vessel into a quiet forum for memories, regrets, and the unspoken yearning for human touch.

Supporting Jakub is his trusted technician, Peter, who becomes the conduit for messages that might bridge the gap between the cold metal of the craft and the warmth of his life back on Earth. Their interactions, set against the vast, indifferent cosmos, hint at a blend of scientific wonder and intimate human drama. The tone remains introspective and gently surreal, suggesting that the true voyage may be as much about confronting inner ghosts as it is about charting unknown celestial phenomena.

Last Updated: October 05, 2025 at 16:54