Sound of Noise

The six anarchist drummers, led by Sanna Persson, begin their unconventional quest to create music from everyday objects. With their conductor Magnus, they set the course for an exhilarating adventure through the city, embracing creativity and humor in every step.

The drummers commence their escapades in a surgical room, ingeniously incorporating a well-known TV reporter undergoing hemorrhoid surgery into their performance. This bizarre yet comedic setting showcases their innovative spirit and unique approach to music creation.

The group takes their musical ambitions to a bank, where they perform an unconventional act that seemingly holds employees and clients hostage. They creatively shred banknotes to produce a distinctive bass sound, cleverly manipulating their environment to enhance their performance.

Outside the opera house, the anarchists orchestrate an impressive spectacle using bulldozers that pound rhythmically against the ground. This grand performance culminates in a dramatic crescendo, culminating with the toppled fountain, marking a highlight in their adventurous concert.

In a daring finale, the drummers find themselves suspended from high-tension power lines, treating the cables as violins to craft unexpected music. This unconventional setting pushes the boundaries of both their creativity and gravity as they continue to redefine music.

As the chase intensifies, Amadeus Warnebring has a moment of introspection, realizing that the sounds created by the anarchists escape his hearing. This realization triggers a desperate yet misguided scheme to control the city's power supply to force the drummers to comply.

Warnebring concocts a plan to turn the entire city into an instrument, employing his influence and resources to control the ambient sounds. His determination reflects his deep-seated disdain for any form of music, stemming from his tone-deafness and illustrious musical lineage.

Amidst the chaos, Sanna Persson experiences an enlightening transformation, discovering the vibrant ambient melodies that surround her. This newfound appreciation for sound stands in stark contrast to Warnebring's reality of silence, highlighting the film's thematic conflict.

The anarchists face ultimate defeat as they are banished from the city, marking an end to their spirited musical experiment. Despite their exile, they regroup and reemerge as a lounge act, continuing to play music, albeit in a more subdued manner.

In the film's poignant conclusion, Warnebring finds himself at a silent orchestral concert, seeking solace in a realm devoid of sound. This twist reflects the chasm between his experience and that of the anarchists, leaving them forever on opposite sides of the musical spectrum.