Sleepwalkers

In the sleepy Midwestern town of Travis, Indiana, a restless unease lingers beneath the usual quiet. The community is wrapped in the familiar rhythm of small‑town life—local theater, weekend picnics, and a cemetery that watches over generations. Yet the town harbors an ancient, whispered legend of the “sleepwalkers,” shapeshifting beings with a strange blend of human and feline heritage, whose very existence is hinted at in dusty occult texts. The atmosphere is thick with a lingering dread, a blend of classic horror and unsettling surrealism that makes everyday moments feel slightly off‑kilter.

Charles Brady arrives as the new student, carrying the weight of a mysterious condition that forces him to drift between waking life and a darker nocturnal persona. By day he tries to blend in, but when night falls his alter ego awakens, driven by an inexplicable fixation on a young waitress. Across town, Tanya Robertson works at the local theater, embodying innocence and curiosity. Her quiet world is about to be pulled into the shadows that linger behind the town’s bright facade, as the line between her reality and the unseen forces that surround her begins to blur.

The film balances a brooding, atmospheric tone with moments of uneasy charm, letting the audience feel the tension of a simple relationship teetering on the edge of something far more ominous. Subtle cues—a gathering of cats, an unsettling feeling in the cemetery, the whispered warnings of a mother who knows more than she lets on—hint at a deeper, sinister truth lurking behind the sleepwalking phenomenon. As the characters navigate their intertwined fates, the story invites viewers to wonder what lies beneath the surface of ordinary life, and how far an ordinary teen’s secret can stretch before it consumes everything he holds dear.

Last Updated: August 10, 2025 at 13:35