Six Ways to Sunday

In the rust‑stained streets of Youngstown, Ohio, an eighteen‑year‑old named Harry Odum lives under the watchful eye of his mother, Kate, whose need to control every aspect of his life borders on suffocating. Their cramped apartment feels both a sanctuary and a cage, and Harry’s simmering temper hints at a restless energy waiting for a spark. The city itself drips with a gritty, low‑key melancholy, its industrial backdrop echoing the tension between childhood dependency and the yearning for an identity beyond the kitchen sink.

A chance encounter with a local Jewish‑Mafia figure pulls Harry out of his narrow routine and into a world where loyalty is bought and danger is a daily commodity. He soon finds himself paired with his crack‑addicted friend Arnie Finklestein, whose chaotic charisma both challenges and mirrors Harry’s own volatility. Together they navigate a shadowy underbelly that is as alluring as it is unforgiving, their uneasy partnership hinting at a fragile balance between ambition and self‑destruction.

Amid the looming menace of the criminal network, a quieter thread emerges in the form of Iris, a Hungarian maid whose presence offers a glimpse of softness amidst the darkness. Their interactions suggest a tentative rebellion against the violent rhythm of their surroundings, while the ever‑present influence of Abie Pinkwise, the mob’s local operator, reinforces the sense that escape is as perilous as surrender. The film’s tone blends stark realism with a sardonic edge, inviting the audience to linger on the uneasy humor that drips from every bruised interaction, and leaving a lingering question: in a world where “there are worse crimes than killing someone,” what will Harry ultimately choose to become?

Last Updated: October 27, 2025 at 16:36