Sinhasan

The film opens on the bustling political stage of Maharashtra, where the coveted chief‑minister’s chair suddenly becomes a battlefield. An incumbent leader faces a challenger rising from within his own party, and the contest is amplified by a relentless media glare, simmering labor unrest, and the restless ambitions of the state’s business elite. The atmosphere is dense with whispered strategies and public expectations, painting a portrait of a democracy where power is both visible and cloaked in shadow.

At the heart of this maelstrom is Digu Tipnis, a tenacious journalist whose notebook becomes a conduit for the city’s hidden conversations. With a keen eye for the intersections of telephone taps, covert alliances, and the everyday struggles of ordinary citizens, he navigates the corridors of power while wrestling with his own personal entanglements. His relationships—most notably the quiet bond with his housemaid—mirror the larger theme that the personal and political are inseparable.

The incumbent chief minister, Arun Sarnaik, feels the pressure of a late‑night phone call that hints at treachery inside his own ranks. Opposite him, the finance minister Shreeram Lagoo quietly assembles support, hinting at a possible bid for the top post. Around them, figures such as a fiery union leader known as D’casta and other seasoned politicians move pieces on a board that extends from the legislative floor to bustling street markets, each maneuver adding texture to the unfolding drama.

Styled by director Jabbar Patel and drawn from Arun Sadhu’s novels, the movie balances stark realism with lyrical moments, such as a haunting song that underscores the fragility of hope. Its tone is investigative yet compassionate, inviting viewers to contemplate how ambition, media, and grassroots movements collide in a world where every spoken word and silent gesture can shift the fate of a state.

Last Updated: December 04, 2025 at 17:58