Sexmission

In the early 1990s two eager researchers sign up for a groundbreaking sleep‑experiment that promises to suspend them for just three years. They enter the cryogenic chamber expecting a brief return to the world they know, yet a sudden global conflict erupts while they are frozen, leaving the surface a hostile wasteland. When the machines finally revive them, they discover that more than half a century has slipped by, and the planet above is no longer the familiar place they left behind.

The pair awaken in a sterile underground complex that houses a wholly female civilization, an entire society that has adapted to survive without men. Maks Paradys, a charismatic scientist with a quick wit, and his pragmatic colleague Albert Starski quickly learn that the norms, language and power structures they once took for granted have been reshaped into something both alien and oddly familiar. The women run the world with a mixture of rigor and ritual, their daily life a blend of high‑tech efficiency and a curious, almost mythic reverence for the past. As the two men step into this ordered yet enigmatic community, they find themselves both objects of fascination and uneasy outsiders, forced to navigate an array of social codes that challenge everything they thought they understood about gender and authority.

The film unfolds with a bright, satirical tone that leans into absurdist comedy while probing deeper questions about identity and control. Its visual style mixes sleek, futuristic design with the gritty remnants of a post‑apocalyptic world, creating a contrast that feels both humorous and unsettling. Through the eyes of Maks and Albert, the story invites viewers to wonder how humanity might reinvent itself when stripped of its old hierarchies, and what it means to be thrust into a reality where the very foundations of society have been rewritten. The resulting atmosphere is one of playful intrigue, poised on the edge of discovery as the two men grapple with the strange new order that surrounds them.

Last Updated: December 04, 2025 at 16:15