November

The film opens with the traumatic event of Hugh's death, shot during a robbery at an LA corner store while Sophie and Hugh stop for a candy bar. The scene sets the mystery, revealing that Hugh was shot and killed unexpectedly, prompting Sophie to process her grief. This incident sparks the entire investigation and flashback structure of the story.

The story explores Sophie Jacobs, an LA photographer, and her relationship with her boyfriend, Hugh, a lawyer. Flashbacks reveal how they met and their life together, establishing the foundation of the characters before the incident. Their relationship appears complex, with hints of tension and underlying issues.

While living with Hugh, Sophie becomes involved with Jesse, a coworker and photography instructor at a community college. Their relationship begins to grow, and flashbacks show snippets of their interactions, hinting at Sophie’s emotional entanglements outside her relationship with Hugh.

Sophie and Jesse's relationship encounters conflicts, leading her to end it. Flashbacks reveal the tension and emotional struggles between them, and the separation adds to the mystery surrounding Hugh's death, as Jesse's potential motives emerge.

During a class presentation, a slide taken on Nov 7 appears, showing a photo of Sophie outside the grocery store just before the shooting. The student claims the slide isn't theirs, raising suspicion that the photos might be manipulated or planted, hinting at possible motives or schemes related to Hugh's death.

The discovery of the slides leads to questions about whether Jesse arranged Hugh's shooting, revealing a possible conspiracy. The film begins to delve into motives, with Sophie questioning the origins of the images and her own involvement, blurring the line between victim and perpetrator.

Sophie regularly has luncheons with her mother and consults a psychiatrist who prescribes medication. It becomes apparent that Sophie was seeing the psychiatrist before Hugh's death, and her relationships reveal potential influences on her mental state and actions.

Flashbacks show Sophie confessing to sleeping with another man and reveal her struggles with alcohol. The psychiatrist hints that Sophie’s behavior and mental health issues may be connected to her experiences, adding layers of complexity and suspicion to her character.

Subtle hints emerge suggesting Hugh might have been a nonviolent but successful psychopath. Flashbacks imply Hugh may have committed or been involved in violence, raising questions about his true nature and his role in the events leading up to his death.

Scenes indicate Sophie may have experienced memory lapses, possibly related to her psychiatric medication, and hints that she might have been involved in violent behavior herself. This deepens the mystery around who is responsible for Hugh's death and Sophie’s own mental state.

As the story develops, suspicion falls on whether Sophie manipulated circumstances or was framed, especially given her inconsistent memories and the suspicious slides. The narrative questions her motives and the true sequence of events leading to Hugh's murder.

Tensions reach a peak as secrets are uncovered about motives, including romantic jealousies, financial gain, and psychological manipulation. The movie challenges viewers to determine who truly had the most to gain from Hugh's death.

The film concludes with revelations about the true sequence of events, the potential framing of Sophie, and the unresolved questions about Hugh's motives and his true nature. The story leaves the audience contemplating the complex web of deception, mental health issues, and violence.