Naxal

In the bustling veins of modern Kolkata, a single, unsettling fax lands on the desk of the Metro Railways headquarters, proclaiming that a man will end his life beneath the city’s newest underground line. The message ripples outward, igniting a feverish scramble among police, journalists, and the restless public, all eager to decipher the motives behind a mystery that bridges a forgotten era and today’s hyper‑connected world. The city itself feels both claustrophobic and expansive, its historic streets humming beneath the sleek steel of the metro, while the looming threat of an unseen tragedy casts a shadow over every conversation.

At the center of this uneasy drama stands Anirban, a figure whose past is tangled with the radical upheavals of 1971. Decades later, he reappears like a ghost from a time when ideas were fought over with guns and ideology, his silence speaking louder than any proclamation. Opposite him is Siddhartha Chowdhury, the charismatic and ruthless CEO of the leading Bengali news channel, whose ambition to turn the unfolding crisis into a ratings bonanza places him at the crossroads of ethics and spectacle. Their paths intersect with Shubhankar, a determined reporter whose curiosity drives him to pull back the layers of history that many would rather keep buried.

The film’s tone is a tense blend of gritty realism and atmospheric suspense, punctuated by the relentless chatter of media trucks, the clatter of metro trains, and the echo of old revolutionary chants that linger in the city’s collective memory. As the capital teeters between past grievances and present anxieties, the story explores how personal legacies collide with the relentless hunger for headlines, leaving every character to grapple with questions of identity, redemption, and the cost of unearthing long‑simmering truths.

Last Updated: October 05, 2025 at 16:56