Naxal

The movie is set in Kolkata, India. Key locations include the Kolkata Police Headquarters (Lalbazar), the Kolkata Metro system, and the Maidan. The urban cityscape of Kolkata serves as both a backdrop and active participant in the narrative, with the crowded streets and political corridors reflecting the film's themes of historical unrest and media manipulation.

The story spans two time periods: 1971 during the Naxalite uprising when Anirban and Sankar Da vanish, and 2013 when a fax triggers a city-wide crisis. A 42-year gap separates these timelines, creating a meditation on memory, revenge, and how the past continues to shape the present in Kolkata.

The movie references the 1971 Naxalite movement in Bengal, a Maoist insurgent movement that emerged in West Bengal during the late 1960s and early 1970s. The Naxalites advocated for violent revolution against the state and landed gentry. The film deals with the aftermath of this turbulent period and how its violence and betrayals continue to echo decades later.

Anirban Sen is a fervent Naxalite leader played by Mithun Chakraborty who vanishes after a 1971 escape. He resurfaces in 2013 through a sequence of ominous fax messages, threatening to commit suicide under the Kolkata Metro. He is relentless, calculating, and driven by a burning need for justice and revenge against those who betrayed his comrades.

Siddhartha Chowdhury, CEO of a top Bengali news channel, is revealed to be Sankar Da, the former Naxalite group leader who survived under a new identity. This twist links his past as a political revolutionary to his present as a powerful media mogul, showing how he transformed from a radical to someone who now manipulates public perception through media power.

The film hints at this identity shift early by showing Sankar Da's disappearance in 1971 and later establishing Chowdhury's mysterious rise to media prominence.

The media is portrayed as a weaponized tool for manipulation and control. Siddhartha Chowdhury's news channel uses sensationalism and strategic reporting to boost TRP ratings and influence public perception. The live telecast of Anirban's planned suicide becomes a battleground where truth is stretched and narratives are controlled, showing how modern media can shape events rather than just report them.

Revenge drives the film's central tension. Anirban's return is motivated by the deaths of his fellow Naxalites and a deep need to settle scores with those responsible. The plot follows his patient, calculated pursuit of justice against the old guard who wronged his circle. This forty-year quest for vengeance culminates in the former revolutionaries facing consequences for their past actions.

The film explores how characters conceal, reveal, and redefine who they are under pressure. The central revelation of Sankar Da's transformation into Siddhartha Chowdhury blurs lines between past identities and present masks. It probes how people reconstruct themselves after trauma and violence, using identity as both a shield and a weapon in the pursuit of power.

The Kolkata Metro serves as the central stage for Anirban's planned suicide and the climactic confrontation. The Maidan metro station becomes the focal point where past grievances and present-day media spectacle collide. The metro setting represents the city's underground history of political violence surfacing into public view.

Anirban is driven by both grief and justice. He returns to seek revenge against those who betrayed his Naxalite circle in 1971, causing the deaths of his friends. His fax messages are not merely suicidal threats but calculated moves to force Kolkata and the police to confront the unresolved past and the powerful figures who escaped accountability for decades.

Siddhartha Chowdhury is a media CEO played by Dhritiman Chatterjee who runs a top Bengali news channel. He uses his media influence to boost TRP ratings and crush rivals. Treating truth as a tool for control, he engages in ruthless moves to silence threats, including Anirban. His manipulation sets up the central collision between the film's vigilante protagonist and its powerful antagonist.