Ishq-e-Nadaan

In the bustling heart of Mumbai, a city that pulses with relentless energy and quiet longing, three lives move along parallel tracks that echo each other’s search for connection. The film weaves together the hum of a luxury hotel, the sweltering streets, and the intimate corners of a shared apartment complex, crafting a tone that feels both intimate and expansive—a romance that embraces unconventional paths and the everyday poetry of a metropolis that never truly sleeps.

Ashutosh is a front‑desk attendant at the hotel, a single father whose routine is gently unsettled when a confident, successful businesswoman named Ramona becomes a regular guest. Their brief encounters hint at unspoken desires and the fragile dance of attraction, set against a backdrop of whispered meetings and hidden facets of life that the city shelters. Their story suggests that love can surface in the most unexpected of corridors, whether behind a polished reception desk or within the private moments of a bustling establishment.

Siya returns to Mumbai from the United States, pregnant and carrying the weight of past decisions. A chance meeting with a courteous young man called Piyush introduces her to a world where arranged outings and corporate fatigue clash with the longing for something more authentic. Their budding friendship offers a glimpse of a different kind of partnership—one that contemplates the balance between personal ambition and shared responsibility amid the city’s relentless rhythm.

Charulata arrives from Indore to visit her daughter, only to cross paths with an eccentric filmmaker named Subhash Kapoor who resides in the same building. Their evolving companionship uncovers lingering memories of a distant romance tied to a forgotten Rome, and a series of annual poems that still arrive on her birthday. This thread adds a gentle mystery, weaving past longing with present curiosity, and suggests that some stories linger across years, waiting for a moment of recognition in the ever‑changing tapestry of Mumbai.

Last Updated: August 28, 2025 at 18:50