In the Earth

In a near‑future Britain reeling from an unnamed viral pandemic, the government has cordoned off a sprawling research outpost deep within an unusually fertile forest outside Bristol. The trees loom thick, their canopies swallowing daylight, while whispers of old folklore swirl among the trees—stories of a restless spirit that once guarded the woods. Amid the tension between scientific urgency and rural isolation, a faint, inexplicable signal pulses through the forest, beckoning anyone daring enough to trace its source.

Tasked with unraveling the mystery, Martin Lowery, a meticulous scientist accustomed to sterile labs, is paired with Alma, a seasoned park scout who knows the forest’s hidden paths and its silent moods. Their partnership is a study in contrast—Martin’s data‑driven curiosity meets Alma’s instinctive respect for the land. As they set out on a two‑day trek toward the signal, the forest’s natural beauty is tinged with an uneasy stillness, prompting each to confront not only the unknown outside but also the doubts that linger within.

Nightfall turns the woodland into a shifting landscape where shadows seem to breathe and the air carries a faint, fungal perfume that hints at something older than the pandemic itself. The duo soon discovers that the forest is not merely a backdrop but a character in its own right, its ancient, primal forces subtly guiding the rhythm of their journey. The film weaves a slow‑burning dread with moments of stark beauty, inviting viewers to wonder what lies beneath the canopy and whether the signal is a warning, a lure, or something far more enigmatic.

Last Updated: August 10, 2025 at 00:50