I Got Life!

In the bustling streets of a French suburb, Aurore navigates the quiet turbulence of turning fifty while her life feels anything but settled. Recently separated from her husband and freshly let go from a restaurant that has just fallen under a demanding new manager, she also feels the subtle, relentless pressure of menopause threading through her everyday routine. The film opens with her standing at a crossroads, juggling the practicalities of a single‑parent household and the internal ache of unspoken longing.

A close‑knit circle of friends adds both color and complexity to her days. Mano, a vivacious confidante, is busy showing a potential apartment, while Christophe, a longtime acquaintance and former flame, drifts back into her orbit, hinting at possibilities that lie just beyond the familiar. Their interactions pulse with a mixture of nostalgia and tentative hope, underscoring the film’s gentle humor and the bittersweet quality of reconnecting with a past that refuses to stay fully distant.

At home, Aurore’s two adult daughters shape the rhythm of her new reality. Marina announces a life‑changing development that nudges her mother toward an unexpected role, while Lucie contemplates a leap across borders with a boyfriend, each decision amplifying the sense that the family’s composition is in flux. Meanwhile, NanAr, her ex‑husband, confronts his own desire for a fresh start, adding another layer of emotional nuance. The knowledge that she is about to become a grandmother weaves a quiet thread of anticipation through Aurore’s day‑to‑day, prompting both reflection and a subtle recalibration of priorities.

The tone balances witty observation with heartfelt vulnerability, painting a portrait of midlife that feels both specific and universal. With a light, conversational style that lets everyday moments shine, the story invites viewers to linger in the spaces between loss and renewal, to feel the quiet courage it takes to rewrite one’s script when the old chapters close.

Last Updated: October 05, 2025 at 16:53