The Women

The Women

Year: 2008

Runtime: 114 min

Language: French

Director: Diane English

Budget: $16M

DramaComedy

When Mary Haines discovers her husband's infidelity, her life is thrown into turmoil. Seeking support, she turns to her close circle of friends who work in Manhattan’s competitive publishing, fashion, and finance worlds. Led by the ambitious Sylvie Fowler, the women offer comfort and advice, but as Mary confronts the complexities of her situation, their own relationships and loyalties are challenged. The film explores the intricacies of female friendship and the difficulties of navigating love, loss, and betrayal.

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The Women (2008) – Full Plot Summary & Ending Explained

Read the complete plot breakdown of The Women (2008), including all key story events, major twists, and the ending explained in detail. Discover what really happened—and what it all means.

Mary Haines Annette Bening leads a polished, picture-perfect life as a clothing designer in a refined suburban Connecticut home. Her days are filled with family moments with her husband Stephen and their 11-year-old daughter Molly, all while she juggles the pressures and expectations of a successful career. The balance feels seamless until the news begins to unravel her world, whispering of hidden betrayals beneath the surface of her well-mannered private life.

Her best friend since college, Sylvie Fowler Meg Ryan, is the sharp, stylish editor of a premier fashion magazine that shapes taste for New York’s trendsetters. Sylvie’s world is glamorous yet pragmatic, and she navigates it with wit and ambition. The tension creeps in when a chatty manicurist, Tanya, confides about an affair involving Stephen and Crystal Allen Eva Mendes, a perfume salesgirl at Saks Fifth Avenue. The secret lands in Mary’s hands just as a manicure confirms the alarming whispers. Joining the chorus of voices around Mary are her mother Catherine and Edie Cohen, whose own life is marked by anticipation and vulnerability.

The revelation hits hard. Mary confronts Crystal first in a lingerie store, a pointed confrontation that shatters the veneer of comfortable familiarity. She then faces Stephen, demanding honesty and the future she wants. In the aftermath, Mary makes the difficult choice to seek a divorce, setting a course of change that shakes her entire world. The circle of friends—Sylvie, Edie, and writer Alex Fisher—rallies around her, offering support as she processes the pain and begins to envision a new path. Yet the path is not straightforward; Sylvie’s own career pressures lead to a tempting, and ultimately painful, betrayal when she confirms Mary’s marital woes to gossip columnist Bailey Smith in exchange for a feature in the magazine. The moment stings deeply, and Mary’s trust fractures, chilling the bond she shared with Sylvie and forcing each woman to reckon with loyalty, ambition, and the cost of honesty.

The fallout ripples through their lives in surprising ways. Molly starts skipping school and turns to Sylvie for solace, sensing her mother’s distraction and distant demeanor. This rift becomes a catalyst for growth as Mary begins to see the impact of personal upheaval on her daughter. Meanwhile, Mary’s professional world is upended when her father fires her from her position, a shocking turn that interrupts her carefully curated life. A makeover follows, and Catherine backs Mary’s decision to strike out on her own, offering financial assistance as Mary plans to launch a new clothing design firm. The ensemble of relationships evolves as Mary reconnects with Molly, learns more about Stephen’s relationship with Crystal, and reunites with Sylvie, who has stepped away from the magazine.

With renewed resolve, Mary channels her energy into her forthcoming fashion show, determined to unveil a womenswear line that embodies resilience, elegance, and independence. The event is not just about clothing; it is a statement to boutique owners and Saks’s buyer who attend, signaling Mary’s readiness to redefine her career and identity on her own terms. Alongside these professional milestones, personal developments unfold: Sylvie declares she’s meeting someone new and contemplates sharing her real number, while Edie experiences a life-changing moment when her water breaks and she welcomes a baby boy, adding a new dimension to the group’s dynamics.

A pivotal moment arrives when Mary receives a call from Stephen. Encouraged by her friends to answer, she faces the possibility of reconciliation and the chance to reconcile a fractured marriage. The narrative threads converge as the four women—Mary, Sylvie, Edie, and Alex—navigate love, friendship, and the complex joys and heartaches of womanhood. In the closing scenes, a magazine titled Sylvie graces the stands with the four friends on the cover, and Alex’s book hits the shelves, signaling a new era of achievement and collaboration. A hint lingers about Crystal’s potential new relationship with Natasha, Alex’s ex-girlfriend, suggesting that the social circle will continue to evolve in surprising ways.

Throughout, the film remains a study in female solidarity, personal reinvention, and the unspoken strength that sustains friendships through betrayal, ambition, and the everyday triumphs of being a woman. The conversations—about fashion, work, love, and family—underscore a shared belief in resilience, mentorship, and the enduring joy found in communities of women who support one another.

Last Updated: November 22, 2025 at 15:58

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These films are united by their primary focus on the nuances of female relationships. They share a moderate complexity due to multiple character arcs, a steady pacing that allows for rich character development, and a mood that is both dramatic and ultimately supportive, highlighting the power of female solidarity.

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Characters, Settings & Themes in The Women

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