Henry: Portrait of a Serial Killer

In the bleak underbelly of Chicago, a drifter roams the city’s shadowed streets, his detached narration turning everyday moments into a study of quiet menace. Henry carries the weight of a fractured past, his restless wanderings hinting at a mind that has learned to view violence as almost ordinary. The film’s world is rendered in muted tones, where the hum of neon signs and the clatter of diners become a backdrop for an unsettling exploration of ordinary evil lurking beneath the surface of ordinary life.

When Otis, an old prison acquaintance, reappears, the two form a volatile partnership that amplifies their shared disdain for conventional morality. Their uneasy alliance is marked by a strange camaraderie, each feeding off the other’s restless energy while navigating a city that seems indifferent to their presence. The tone remains stark and unflinching, presenting their interactions with a grim realism that refuses to sensationalize the darkness they embody.

Enter Becky, a young woman fleeing an abusive relationship and seeking a fresh start far from her troubled past. Her arrival introduces a fragile thread of vulnerability amid the pair’s cold calculations, prompting subtle shifts in the fragile balance of power. As she settles into an unfamiliar world, the film tightens its focus on the tension between her yearning for safety and the ever‑present undercurrent of dread that surrounds the two men. The narrative swirls around these three figures, sketching a portrait of isolation, twisted affection, and the eerie banality of a life lived on the edge of morality, all while maintaining an atmosphere that is as compelling as it is disquieting.

Last Updated: August 10, 2025 at 13:37