Handling the Undead

In the waning heat of an Oslo summer, an inexplicable disturbance blurs the line between the living and the dead, casting the city into a dream‑like haze where the past drifts unbidden into the present. The streets take on an almost tactile melancholy, their familiar faces now shadowed by silent presences that move through neighborhoods like fog. This unsettling atmosphere sets the stage for a meditation on loss, memory, and the fragile borders we construct around grief.

Mahler is a grandfather still haunted by the absence of his young grandson, while his daughter Anna juggles the demands of work and motherhood, both tethered to a sorrow that feels suddenly tangible again. Across the city, David wrestles with the sudden void left by his wife’s untimely passing, striving to maintain a sense of normalcy for his children amid a world that no longer adheres to ordinary rules. Meanwhile, Tora navigates the raw emptiness after the death of her partner Elisabet, trying to reconcile daily life with an overwhelming sense of loss.

As the inexplicable events ripple outward, each family is drawn into a collective mystery: the newly arrived specters linger on the edges of everyday life, their presence both comforting and disorienting. The resurrected loved ones move through Oslo in a trance‑like state, their muted attempts to connect hinting at unfinished business and unresolved emotions. This shared experience forces the characters to confront the deep, often unspoken questions about identity, responsibility, and what it truly means to let go.

The film’s tone blends haunting lyricism with a subtle undercurrent of dread, inviting viewers to feel the weight of unspoken grief while exploring how love endures beyond the physical world. In this quiet, eerie Oslo, the characters must decide whether the return of the dead offers a chance for healing or merely deepens the shadows that already linger in their hearts.

Last Updated: August 09, 2025 at 19:56