Year: 1988
Runtime: 121 min
Language: English
Director: Barry Levinson
Radio personality Adrian Cronauer's humorous broadcasts bring laughter to Vietnam, but his irreverent style clashes with military protocol and shocks even seasoned soldiers. Facing conflict with his superior officer, Sergeant Major Dickerson, Cronauer finds himself navigating a complex situation involving a burgeoning romance with a Vietnamese woman and the sobering realities of war. He must then confront the difficult consequences of his comedic approach amidst the chaos and destruction.
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As Airman Second Class Adrian Cronauer lands in the stifling heat of Saigon in 1965, he introduces a contagious energy and rebellious nature that soon rattles the rigid structure of the Armed Forces Radio Service. Joined by Private Edward Garlick, Cronauer arrives at the radio station, where his exuberance and relaxed demeanor stand in stark contrast to the serious staff members. His first broadcast makes waves with the iconic greeting, > “Good morning, Vietnam!” The upbeat tone is a welcome relief in an otherwise bleak setting, blending censored news, cheeky humor, and infectious rock-and-roll, despite the disapproval from his superiors, notably Second Lieutenant Steven Hauk and Sergeant Major Phillip Dickerson. However, over time, even Brigadier General Taylor and the other DJs come to appreciate Cronauer’s unique take on broadcasting.
Wandering the streets of Saigon, Cronauer befriends a charming Vietnamese girl named Trinh, who he takes to an English class. Showcasing his flair, he takes charge of the lesson, teaching the students American slang, even adding some colorful profanity. After class, when he tries to engage Trinh, her brother Tuan rebuffs him. Undaunted, Cronauer forms a connection with Tuan, introducing him to Jimmy Wah’s, a popular haunt for military personnel. Unfortunately, the evening takes a dark turn when two racist soldiers, angered by Tuan’s presence, instigate a conflict that escalates into a chaotic brawl. Following the incident, Dickerson chastises Cronauer, but his shows continue to capture listeners’ hearts, despite the ongoing vendetta from Hauk and Dickerson.
One pivotal day at Jimmy Wah’s, Tuan approaches Cronauer with news that Trinh wants to see him. Their moment of peace is soon disrupted when a violent explosion rocks the bar, tragically killing two soldiers and deeply unsettling Cronauer. The explosion is attributed to a bomb, which Dickerson orders to be kept off the air. In a heroic act of defiance, Cronauer locks himself in the studio and reveals the horrifying truth to his audience, fiercely opposing Dickerson’s directives. Though this results in his suspension, the listener backlash against Cronauer’s removal is swift, sending many letters and calls demanding his return, much to Hauk’s displeasure.
As despair sinks in, Cronauer wallows in self-pity and whiskey, while his pursuit of Trinh ends in repeated heartbreak, compounding his disillusionment as a DJ. Meanwhile, Taylor’s intervention at the radio station leads to predictable defiance from Hauk, who refuses to acknowledge Cronauer’s absence. It is only when Garlick encourages Cronauer to broadcast a heartfelt message to troops headed for Nha Trang that he starts to recognize the importance of his role, reigniting his commitment to his job.
Yet, in a calculated move, Dickerson sends Cronauer into perilous Viet Cong territory under the guise of an interview. A chance encounter with a mine forces Cronauer and Garlick into hiding from VC patrols, leaving their Jeep stranded. In Saigon, Tuan learns of their situation and desperately attempts to help, only to run into further misfortune when the van he steals breaks down. Just when it seems they’re doomed, a Marine helicopter provides the necessary lift back to safety, where Cronauer learns of Tuan’s shocking double life as “Phan Duc To” and his involvement in the bombing at Jimmy Wah’s.
This twist of fate sparks dire consequences: Dickerson arranges for Cronauer’s honorable discharge, informing him that his association with Tuan will irreparably damage the Army’s image. As he prepares to leave, Dickerson faces ramifications for his actions, ultimately being reassigned to Guam—a fate he deems just given his malicious intent.
In the aftermath, Cronauer confronts Tuan, expressing his outrage over the violence inflicted upon American soldiers and the untold lives lost in Vietnam. Tuan, revealing the uproar caused by the US Army in his village, shares his own conflicted feelings. Despite their fallout, Tuan still values Cronauer’s life, underscoring the complex nature of their intertwined fates.
As Cronauer boards a plane for Tan Son Nhut Air Base, flanked by military police, he pauses to bid farewell to Trinh and his students, orchestrating one final softball game before his departure. The next morning, Garlick steps into the DJ role, honoring Cronauer by airing his farewell message: > “Goodbye, Vietnam!”
Last Updated: November 19, 2024 at 17:55
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Characters use laughter and irreverence to cope with oppressive or tragic circumstances.Discover films similar to Good Morning, Vietnam, where characters use comedy as a rebellious tool against grim backdrops. If you liked the blend of laughter and tragedy in a war zone, you'll find these stories of irreverent humor in difficult settings compelling.
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