Georgettan’s Pooram

In the heart of Thrissur lies George Vadakkan’s childhood playground, Mathayi Parambu, a modest field that has quietly become the pulse of the town. By day it hosts impromptu football matches, whispered conversations, and the rustle of children’s laughter; by night it holds the murmurs of friends gathering under the open sky. The annual Pooram festival looms on the horizon, its vibrant drums and fireworks promising a moment when the whole community pauses to celebrate tradition, while also inviting each resident to confront the paths they have taken.

Vava, Pallan and Thankan form the core of George’s informal crew, a trio whose camaraderie is as effortless as the games they play on the worn‑out turf. Their banter, mischief, and the occasional clash with authority paint a picture of youthful restlessness that feels both intimate and universally relatable. Adding a touch of seasoned wisdom to their escapades is Josephettan, the local beggar who watches over the ground like a reluctant guardian, offering cryptic advice that hints at deeper layers of the town’s history.

Standing a step away from the boys’ world is Fr. Mathews Vadakkan, a Mar Thoma priest whose aspirations for his son clash with George’s reluctance to follow a prescribed spiritual path. The father’s quiet disappointment and the son’s search for purpose create a subtle tension that underlies every shared laugh and idle hour. Their relationship, framed by the expectations of a close‑knit community, sets the stage for an introspective journey that is as much about family legacy as it is about personal discovery.

The film balances warm, sun‑drenched vistas of Kerala’s rural life with a humor that is both self‑deprecating and heartfelt. Its tone wavers between the buoyant energy of friends’ gatherings and the reflective moments that arise when the Pooram drums echo through the night, inviting George to consider how the familiar spaces of his youth might shape the direction of his future.

Last Updated: September 24, 2025 at 04:55