First Reformed

In the quiet town of Snowbridge, New York, the historic First Reformed Church stands as a relic of a once‑vibrant community, now struggling to find its footing in a world that feels increasingly indifferent. The atmosphere is hushed and reverent, yet a low‑grade anxiety hovers like winter fog, reflecting both the dwindling congregation and the looming specter of environmental uncertainty that presses on the region. The film’s tone is contemplative and austere, inviting viewers to linger in the spaces between prayer, doubt, and the harsh light of modern crises.

At the heart of this fragile setting is the solitary figure of Ernst Toller, a Dutch‑Reformed pastor whose years of service have left him both reverent and deeply conflicted. Haunted by personal loss—a son who died overseas—and by his own battles with addiction, he turns outward for solace, exploring theological works that span centuries and traditions. His quiet routine of journaling becomes a private sanctuary, a place where he wrestles with the weight of his calling and the growing sense that the faith he once taught may no longer answer the questions gnawing at his spirit.

The arrival of a young parishioner, Mary Mensana, and her environmentally‑engaged family injects a restless urgency into the reverend’s life. Their earnest pleas and stark concerns about a looming ecological disaster shake the foundations of his already fragile belief system, prompting him to confront the moral complexities of stewardship, hope, and despair. As the two characters navigate the delicate balance between pastoral duty and personal conviction, the film offers a meditative portrait of a man standing at the crossroads of faith, responsibility, and an increasingly uncertain world.

Last Updated: August 10, 2025 at 02:36