Final Portrait

In Paris, 1964, renowned sculptor Alberto Giacometti meets his old acquaintance, American art critic James Lord. Giacometti invites Lord to model for his latest portrait, suggesting that it will only take a couple of days.

James Lord agrees to model for Alberto Giacometti, unaware of the complexities of Giacometti's creative process. The initially simple task begins to stretch, as Giacometti frequently postpones the sittings.

Giacometti shares his studio space with his wife, Annette, and his brother, Diego. The presence of a part-time lover, who is also Giacometti's muse, adds tension and complexity to their domestic dynamics.

As the promised two days turn into weeks, Giacometti continues to ask for more time to capture Lord's likeness. Lord feels conflicted, torn between his growing professional commitments and the allure of being part of Giacometti's creative process.

Giacometti's artistic journey is marked by fits of creativity, leading him to scrap his progress and start anew multiple times. This sees him frustratingly erasing Lord's face in an effort to refresh his vision and maintain the integrity of his work.

The emotional turmoil in Giacometti’s marriage is highlighted as Annette becomes increasingly frustrated. Her discontent revolves around Giacometti’s extravagant spending on models while neglecting her needs.

Annette confronts Giacometti during a moment of heightened tension, accusing him of being stingy, notably regarding simple comforts like a new coat. In an impulsive act, Giacometti tosses money at her, demonstrating the growing rift in their relationship.

In an attempt to win over his muse, Giacometti buys her a convertible, further complicating his already strained relationship with Annette. This decision exemplifies his ongoing struggle to balance his personal and professional lives.

One night out with Lord and the muse ends with a shocking discovery: Giacometti's studio has been ransacked. Although the thief remains unknown, Giacometti quickly arranges a meeting with his muse's manager to address the chaos and maintain control.

With the portrait still unfinished and time running out, Lord approaches Diego for assistance. Unfortunately, Diego's help is insufficient, emphasizing the complexities of Giacometti's artistic process.

As Giacometti’s talent unfolds, James Lord begins to reflect on the profound nature of the experience. Witnessing Giacometti's genius and struggle leaves a lasting impact on Lord, shaping his perception of art and its intricacies.

Ultimately, after an extended stay, James Lord prepares to depart from Paris. His time with Giacometti lingers in his mind, with the weight of the sculptor's legacy resonating deeply with him as he leaves.