Year: 1990
Runtime: 114 mins
Language: Cantonese
Director: Clara Law
Li Hung, a determined mother, spends years trying to secure an American student visa, hoping to build a better future for her husband Nansan and their son. After finally receiving the visa, she abruptly loses contact with her family. Unwilling to wait, Nansan resorts to illegal immigration, smuggling himself to New York in search of Li Hung.
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Li Hong, Maggie Cheung, leaves Shawan Village in Panyu, Guangzhou to study in New York City on a student visa, taking with her the difficult choice of leaving her infant son in the care of her schoolteacher husband, Zhao Nansheng, and his elderly parents. From the start, her letters home carry a tone of homesickness, but Zhao urges her to persevere. A few months into her new life, Li hints that she might soon qualify for permanent residence and, in a painful turn, requests a divorce, ceasing further communication with him. The news devastates Zhao, who then makes a drastic decision: he travels to Panama and, through a perilous route, is smuggled into New York via Mexico.
Unable to speak much English, Zhao seeks help from a local artist friend who had coincidentally met Li at his gallery, where Li is living under a new name, Elaine. The friend, overwhelmed by the idea of housing an illegal immigrant, cannot assist Zhao, leaving him to fend for himself on unfamiliar streets. In the blur of crowded avenues, Zhao spots a prostitute who seems to bear a resemblance to his wife. He follows her into a brothel, only to be confronted by the pimp. A struggle erupts and Zhao unintentionally shoots the pimp, after which he and the woman he was pursuing flee. The woman reveals herself to be a fifteen-year-old runaway from Detroit named Jane, Hayley Man.
Jane agrees to help Zhao locate Li. Their search uncovers Li’s efforts to adapt: she attended English classes and briefly worked at a Taiwanese restaurant in Harlem. The restaurant owners tell Zhao that Li had once endured a troubling incident—she was raped at work by two African Americans—and they last saw her with a Chinese businessman who had given her money. Zhao and Jane confront him at his laundry shop, where he admits he had entered into a sham marriage with Li, who then absconded with his money.
Zhao’s life spirals into debauchery, and he eventually becomes Jane’s pimp. One night, he shares a kiss with Jane and immediately feels a deep sense of revulsion toward his actions. Jane decides to redirect her life by returning to school, and the two part ways. Months later, Zhao unexpectedly encounters Li again while she works as a deliveryman. Li, now conversant in English, treats Zhao as though he were a stranger and even calls him a slur. She rushes to a park in Chinatown, attempting to defraud several elderly retirees as Zhao intervenes, urging her to seek help from a psychologist.
In a gripping turn of events, Li fatally stabs Zhao with a screwdriver, and he collapses at the foot of a Statue of Liberty replica while clinging to a photograph of the couple with their son. Moments later, Li recognizes the people in the blood-stained photograph but remains oblivious to Zhao’s lifeless body.
In a mid-credits scene, back in Guangzhou, Li and Zhao’s son continues living with his grandparents, seemingly unaware of the fate of his parents, hinting that the family’s story will remain unfinished in the eyes of the world they left behind.
Last Updated: October 09, 2025 at 15:03
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Characters spiral into crime and desperation under immense pressure.If you liked Farewell China's depiction of a husband's illegal descent into the New York underworld, explore these similar films. Find other movies about characters pushed to the edge, where the search for answers leads to a tragic spiral into crime and moral collapse.
The narrative typically follows a protagonist who, faced with a desperate situation, turns to illegal means as their only option. This decision kicks off a downward spiral where each action further entangles them in a dangerous world, leading to irreversible consequences and a profound loss of their former self.
These films are grouped by their shared focus on the theme of moral collapse under pressure. They share a bleak, gritty tone, high emotional intensity, and a steady, relentless pacing that builds towards a tragic conclusion, making the viewer experience the protagonist's desperation firsthand.
Stories where the pursuit of a new life ends in trauma and loss.For viewers seeking movies like Farewell China that portray the dark side of the immigrant dream. This collection features heavy dramas about cultural dislocation, psychological trauma, and the devastating consequences of pursuing a better life in a foreign land.
The narrative pattern involves characters leaving their homeland with hopes for a better future, only to be met with harsh realities, exploitation, and isolation. The story chronicles their psychological unraveling, the breakdown of relationships, and the ultimate shattering of their original dream, often with no hope of redemption.
These movies are united by their bleak portrayal of immigration, focusing on themes of cultural dislocation, identity crisis, and psychological trauma. They share a heavy emotional weight, a steady, methodical pacing that builds tragedy, and an unflinchingly bleak tone that offers no narrative relief.
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