Even the Rain (Tambien la Lluvia)

In the bustling streets of Cochabamba, a film crew descends on a city already simmering with tension over the privatization of its most essential resource: water. Their purpose is to stage a sprawling historical drama about Christopher Columbus’s arrival in the New World, a story that will echo the violence and resistance of the 15th‑century conquest. Yet the very landscape they have chosen is alive with a modern struggle that mirrors those ancient clashes, turning the production into a vivid backdrop where past and present collide.

The project is shepherded by Sebastián, a Mexican filmmaker driven by artistic ambition but hampered by a shoestring budget. Alongside him is Costa, a pragmatic Spanish executive producer whose commercial instincts often clash with the director’s idealism. Their casting call draws hundreds of hopeful locals, and among them a magnetic young man named Daniel lands the role of the rebellious Taíno chief, while his daughter Belén is given a significant part as well. The chemistry between the foreign crew and the Bolivian community is charged, hinting at both collaboration and underlying frictions that will test everyone’s convictions.

On set, the line between performance and reality blurs. Anton, the actor cast as Columbus, grapples with his own demons, while crew members Juan and Alberto watch the unfolding drama with a mix of curiosity and unease. The everyday bustle of the city, the chants of protestors, and the stark beauty of the Andean surroundings infuse the film-within-a-film with a raw, almost documentary‑like texture. As the cameras roll, the cast and crew can’t help but confront the uncomfortable parallels between the conquest they are reenacting and the contemporary fight for basic rights.

The tone of the story is gritty yet lyrical, blending political commentary with human drama. Water, both a literal and symbolic element, threads through every scene, underscoring the enduring legacy of colonization and the universal quest for dignity. The film promises an immersive, thought‑provoking experience that leaves the audience questioning where history ends and present injustice begins.