Destroy All Neighbors

In a cramped, graffiti‑splashed building that hums with the low‑grade thrum of daily life, William Brown spends his nights coaxing a tangled, prog‑rock vision into existence. A sound‑engineer by trade and a dreamer by nature, he juggles gig‑cancellations, a demanding girlfriend, and the ever‑present pressure of an unheard masterpiece. The apartment’s narrow walls become both sanctuary and echo chamber for his relentless pursuit of the perfect riff, setting the stage for a battle between inspiration and isolation.

Across the hallway, the arrival of Vlad—a flamboyant, unpredictable neighbor whose late‑night EDM blasts and erratic outbursts turn the building into a chaotic rehearsal space—throws William’s fragile equilibrium into disarray. What begins as a simple request for quiet spirals into a series of absurd confrontations, each more surreal than the last. The film’s tone flirts with dark comedy, letting the mundane clash with the bizarre in a way that feels both unsettling and oddly endearing.

The relationship web widens as William’s partner, Emily, watches his obsession flare, while the building’s well‑meaning manager drifts in and out of the chaos, adding a layer of domestic tension. Their cramped world, populated by eccentric tenants and clashing artistic temperaments, feels like a microcosm of a city where the ordinary is constantly overridden by the unexpected. The narrative hints at a cascade of increasingly odd events, all sparked by the simple act of seeking peace for one man’s music.

Against this backdrop, William discovers that the line between creation and destruction, sanity and madness, can be blurred by humor and humanity. The story promises a whimsical yet poignant exploration of artistic ambition, the absurdity of neighborly conflict, and the unlikely friendships that can emerge when the walls close in. It invites the audience to wonder how far one will go for the perfect song when reality itself starts to play a strange, off‑beat rhythm.

Last Updated: August 09, 2025 at 20:13