Year: 1950
Runtime: 83 mins
Language: English
Directors: Norman Foster, Abby Berlin
WANTED: A MOTHER for five kids. Any girl who accepts is crazy, but so am I. — Johnny Johnny Rutledge, a drifter, discovers a forest cabin where five orphaned siblings—January, February, March, April and May—have been living hidden from the townspeople. Fearing the schoolteacher Prudence Millett will send them to an orphanage, Johnny pretends to be their uncle and courts Prudence, knowing he must marry to keep the children together.
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Carefree vagabond Johnny Rutledge, William Holden, drifts into a quiet town after his medicine-show employer and friend, Professor Mordecai Ford, is arrested. He quickly befriends May Chalotte, Mary Jane Saunders, and takes an interest in her world, which includes her siblings Jan Chalotte, Feb Chalotte, and the twins March Chalotte and April Chalotte. Feb Chalotte, Billy Gray, and the others quickly become part of Johnny’s reluctant circle, even as Johnny himself resists any urge to settle down. He divides his time between working on a nearby farm during the week and singing and waiting tables on Sundays at a restaurant owned by Jericho Schlosser, Sig Ruman, all to keep the family fed.
When Prudence Millett, Coleen Gray, the daughter of the town’s stern judge, comes asking why the boys aren’t in school, Johnny is forced to claim he is their uncle. A gentle, if reluctant, romance blossoms between Johnny and Prudence, even as he clings to his vow to avoid deep commitments. The spark is tempered by Johnny’s past: he had clawed his way out of poverty to gain a share in a paper mill, only to see his partner abscond with all the funds, pushing him back toward a life without roots or responsibility.
Trouble escalates when Jeffrey Gilland Sr., a wealthy and controlling man, commands Johnny to keep his disreputable children away from his son, Jeffrey Jr. A heated confrontation ends with Johnny’s arrest, and Prudence posts his bond, only to watch a constellation of legal and moral snares pull tighter. Plato Cassin, Clinton Sundberg, Gilland’s sharp lawyer, uncovers the truth about the children’s origins and uses it to coerce Johnny into agreeing to marry one of Gilland’s older sisters, Genevieve or Adelaide. In a twist of sly gamesmanship, Adelaide wins a quoits match for this “privilege,” and Prudence grows wary of Johnny’s motives, convinced that the custody of his heart may be as much at stake as the fate of the children. Plato’s machinations drive a wedge between Johnny and Prudence by convincing her that Johnny is maneuvering to win her hand through the kids.
With his options narrowing, Johnny resolves to run away with Professor Ford. May overhears the plan and turns it into a town affair by inviting everyone to her birthday party the next day, intending it as a going‑away celebration for Johnny and the makeshift family he’s begun to form. In the meantime, Johnny tries to steady the Gilland boy, steering him away from a similar life of aimless risk. At the party, a grateful Gilland withdraws the charges against Johnny, a turning point that shifts the town’s mood toward reconciliation.
The party becomes a test of loyalties and feelings. May asks why Prudence cannot be her aunt instead of Adelaide, and Prudence, moved by Johnny’s willingness to fight for the children, warms to the idea. Johnny finally confesses his love for Prudence, and Adelaide proves to be a good sport about the whole arrangement, gambling for Johnny’s future alongside Prudence. Meanwhile, Professor Ford presents what he, Johnny, and Jan believe to be a two‑headed coin—a symbol of luck and possibility that hangs over the resolution. When the coin finally lands in Prudence’s favor, the professor departs town, leaving Johnny with a now‑united, unconventional family to nurture and protect.
In the end, the wandering man who once resisted responsibility discovers a purpose larger than himself. The children he came to care for become a real, enduring part of his life, and the relationship with Prudence, tempered by hardship and humor, promises a future built on chosen kin and mutual support. The town witnesses a quiet, hopeful transformation: a man who once fled from commitment has chosen to stay, to love, and to lead a family that is as much a refuge as it is a home.
Last Updated: October 05, 2025 at 11:59
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Stories where wanderers find a home and purpose through unexpected love.If you enjoyed the gentle charm of Father Is a Bachelor, you'll love these movies about wanderers finding purpose. Discover similar stories of found family, hopeful romance, and personal reformation in small-town settings. These films share a comforting, uplifting feel perfect for a lighthearted movie night.
These narratives typically follow an outsider who enters a stable, often rustic, environment and is initially resistant to connection. Through a series of lighthearted or tender events—often involving caring for children or earning the trust of a community—the protagonist undergoes a change of heart. The central conflict is usually internal (freedom vs. responsibility) or a mild external threat, resolved through kindness and community support.
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The plot follows a character ill-suited for responsibility who must care for one or more children, often to prevent them from being sent to an orphanage or separated. The humor comes from their initial incompetence and the children's mischievousness. A romantic interest—sometimes the very person who poses a threat to the family unit—is often woven into the story, adding complexity and culminating in a union that secures the family's future.
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