Der brænder en ild

Martin is a returned Greenland worker who arrives in 1920 driven by pride and a longing for the old ties. He is emotionally expressive and quick to act, balancing generosity with personal hurt over Martha’s marriage. His decision to lend money to Just reveals a mix of friendship and self-interest, and his eventual marriage to Karen marks a pragmatic shift amid emotional turmoil.

Just is a stubborn, hard-working farmer whose finances teeter on the edge of ruin. He clashes with his uncle Bent over selling the farm to cover losses and resents Martin’s help due to pride and perceived flirtation with his wife. His reluctance to accept aid ultimately drives the family toward drastic choices.

Martha is the woman whose past with Martin complicates her marriage to Just. Her actions are driven by financial desperation and loyalty to friends, leading her to consider drastic measures to save the farm. Her involvement in the arson plan and her evolving relationships test loyalties across the social circle.

Bent is the stern co-owner of the farm and Just’s uncle, focused on protecting or salvaging the property by any means. He pushes toward bankruptcy or sale as a means to cover losses, serving as a practical foil to Just’s stubborn optimism. His decisions escalate the pressure on the family and its legacy.

Henrik is a young farmworker entangled in a love triangle with Inge. His romance with Inge is marked by jealousy and youthful ardor, reflecting the tensions between desire and social boundaries within the rural community. He represents the impulsive energy of youth amid mounting adult pressures.

Jesper is a party-going farmhand whose impulsiveness and infidelity fuel Erna’s anger and a broader conflict. He initially resists responsibility for his child, showing a tendency to avoid consequences, but is later faced with the reality of his actions.

Inge, Martha’s daughter, navigates love with Henrik while contemplating family obligations. She chooses to support her future with Henrik, signaling a shift toward personal happiness amid the farm’s financial and social turmoil. Her decisions reflect resilience within a straining family dynamic.

Erna is pregnant with Jesper’s child, confronting the consequences of the affair and the social stigma that accompanies it. She expresses hurt and accusation, adding pressure to the fragile relationships in the community. Her presence intensifies the moral stakes of the film’s conflicts.

Karen is Martha’s friend who has been drawn to Martin since his return and ultimately becomes his wife. She embodies steadiness and practicality, offering a stabilizing alternative amidst the drama. Her eventual marriage to Martin marks a pragmatic resolution to the era’s turmoil.

Ole Laursen is a carpenter-related figure in Nicolai Laursen’s circle, representing the skilled tradesman’s place in the community. He contributes to the film’s depiction of a network of family and laborers whose fortunes interlink with the farm’s fate. His presence grounds the rural setting in authentic craft and community ties.