Comedy of Innocence

In a quiet suburb, a young boy named Camille lives under the watchful eyes of his parents, Ariane and Pierre. From the moment he can hold a camera, he begins documenting the world in fragments—fleeing cats, mysterious windows, veiled faces—turning everyday moments into a personal collage of curiosity. The camera becomes both his companion and his lens on reality, hinting at a mind that reads deeper meanings into ordinary scenes.

The household is rounded out by Hélène, a devoted housekeeper whose steady presence provides a calming counterpoint to the family’s subtle undercurrents, and Serge, Ariane’s brother, a psychiatrist who quietly observes the family’s emotional rhythms. Their home is a space where love is palpable yet tinged with the unspoken question of where memories truly end and stories begin. The tone is gentle, almost lyrical, as each character navigates the delicate balance between protecting a child’s innocence and confronting the inevitable uncertainties of his growing awareness.

On the day of Camille’s ninth birthday, his quiet routine is punctuated by a simple, heartfelt request: to know whether Ariane was present at his birth. Her tender recollection of the moment sets a tone of intimacy, while also planting a seed of intrigue about identity and belonging. As the boy’s fascination with his recordings deepens, he starts to speak of a friend named Alexandre, whose presence adds an ethereal quality to his world, suggesting that the line between imagination and reality may be more fluid than it seems.

The film unfolds in a calm, observational style, using soft lighting and lingering shots to emphasize the quiet tension that resides beneath domestic normalcy. It invites the audience to wonder about the ways memory shapes perception, how parental affection can both anchor and unsettle a child, and what it means to seek a “real home” when the past lingers like a half‑remembered film reel.

Last Updated: October 23, 2025 at 16:24