Bulworth

In March 1996, we are introduced to Jay B. Bulworth, a 60-year-old Democratic U.S. Senator portrayed by Warren Beatty. Once a staunch socialist, Bulworth now struggles with the contradictions of his political career and personal life, foreshadowing a crisis ahead.

Bulworth is married to Constance, played by Christine Baranski, but both are engaged in extramarital affairs. Their relationship is maintained as a façade to protect their political images, despite the underlying discontent and betrayal.

Feeling the pressure of an impending political demise and disillusioned by life, Bulworth contemplates ending his life. He arranges a $10 million life insurance policy for his daughter, with plans to hire an assassin to facilitate his suicide.

Upon arriving in California for his re-election campaign, Bulworth spirals into heavy drinking, shocking his campaign manager, Dennis Murphy. His reckless behavior sets the stage for unexpected changes in his political fortunes.

In a pivotal moment, Bulworth speaks candidly at an African American church in South Central Los Angeles. His unfiltered remarks and surprising ability to rap resonate with the audience, rejuvenating his struggling campaign.

During the campaign, Bulworth becomes infatuated with Nina, a spirited young activist portrayed by Halle Berry. Their budding relationship adds complexity to his journey, intertwining personal feelings with political aspirations.

Following a contentious televised debate, Bulworth boldly critiques the insurance sector and the healthcare system. His controversial opinions intensify scrutiny from media, supporters, and his insurance company as his campaign gains momentum.

Bulworth experiences a pivotal moment in the ghetto, as he buys ice cream for children and confronts issues of police discrimination. This connection humanizes him and deepens his resolve to address social inequalities.

In a bold and thought-provoking dialogue during a TV segment, Bulworth proposes that 'everybody should fuck everybody' until all are 'the same color.' This shocking statement captures public attention and adds to the growing frenzy surrounding his campaign.

Bulworth discovers that Nina, the woman he has grown fond of, is actually the hitwoman he hired to end his life. As their relationship deepens, her feelings for him evolve, ultimately saving him from the fate he sought.

Finding solace in Nina's embrace, Bulworth sleeps for over 36 hours, experiencing peace for the first time in years. His absence on election day generates media buzz and heightens the stakes of his political journey.

In a surprising turn of events, Bulworth wins the primary election by a significant margin. His victory symbolizes a breakthrough, as conversations about race, inequality, and poverty ripple through the nation.

The morning after his victory, Bulworth is met by a swarm of press and campaign supporters at Nina's home. Here, he receives an unexpected offer from L.D., a reformed local drug lord, regarding leniency for Nina's brother.

In a tragic culmination of events, Bulworth is shot by Graham Crockett, an agent associated with the insurance lobby. This shocking moment raises questions about the cost of reform and Bulworth's legacy.

The film closes with Bulworth's fate left uncertain, as an elderly vagrant’s words ring in his ears, urging him not to become a 'ghost.' This resonates with the film's larger themes of purpose and the quest for meaning.