Bulworth

Bulworth

Year: 1998

Runtime: 108 min

Language: English

DramaComedyRomance

A cynical and financially ruined politician, Senator Jay Bulworth, contemplates ending his life and leaving his assets to his family. However, as he prepares for this drastic measure, he unexpectedly embraces a newfound freedom, abandoning his carefully constructed image and speaking openly about his true beliefs. This journey of liberation is further complicated by an unexpected romance that challenges his plans and offers a chance at redemption.

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Bulworth (1998) – Full Plot Summary & Ending Explained

Read the complete plot breakdown of Bulworth (1998), including all key story events, major twists, and the ending explained in detail. Discover what really happened—and what it all means.

Set in March 1996, we meet Jay B. Bulworth, a 60-year-old Democratic U.S. Senator portrayed by Warren Beatty, who finds himself grappling with the potential end of his political career against a vibrant young contender. Once a staunch socialist, Bulworth’s political ideals have faded, compromising his values for donations from wealthy corporations as he seeks re-election. Meanwhile, he and his wife, Constance (played by Christine Baranski), maintain the illusion of a happy marriage, despite both engaging in extramarital affairs with full awareness of one another.

Feeling disillusioned with life and politics, time is running out for Bulworth, who struggles with insomnia and plans to end his life. In a dramatic turn, he arranges for a $10 million life insurance policy, naming his daughter as the beneficiary, while intending to beat the odds of suicide cancelling the policy by hiring an assassin to take him out within two days.

Upon arriving in California for his campaign, Bulworth descends into a state of heavy drinking, astonishing his campaign manager, Dennis Murphy (played by Oliver Platt). In a surprising turn of events, he speaks candidly at an African American church in South Central Los Angeles, where his unfiltered remarks, coupled with an unexpected penchant for rapping, capture the hearts of the media and revive his campaign. Along this journey, he becomes infatuated with a spirited young activist named Nina, played by Halle Berry, who accompanies him on his campaign trail.

As the public frenzy grows, Bulworth finds himself under scrutiny not only from the paparazzi but also from his insurance company and supporters, all while being haunted by the impending threat of his assassination. Following a contentious televised debate where he openly critiques the insurance sector and the U.S. healthcare system, he retreated to Nina’s family’s home in the ghetto, experiencing a pivotal moment of connection with the community—buying ice cream for children selling crack and confronting police discrimination.

Bulworth’s public discussions resonate with the viewers, leading him to offer outlandish yet thought-provoking solutions to societal issues, notably proposing that “everybody should fuck everybody” until all are “the same color,” which stuns both the audience and his interviewer. Following this controversial TV segment, an unexpected twist occurs when he discovers Nina is actually the hitwoman he hired, but her feelings for him evolve, saving him from his own fate.

As Bulworth finally finds respite in Nina’s arms, he sleeps for over 36 hours, achieving a level of peace he hasn’t felt in ages. This lapse creates a stir in the media as his absence coincides with election day, sparking conversations on race, inequality, and poverty across the nation. In an astonishing turn of events, Bulworth wins the primary by a considerable margin.

On the morning following his election victory, chaos unfolds as press and campaign members converge at Nina’s residence, offering their congratulations. A reformed L.D. (Don Cheadle), a local drug lord, arrives with a surprising offer of leniency regarding Nina’s brother’s debt. However, as Bulworth emerges from the shadows, rejuvenated and grateful, he invites Nina along for the journey ahead.

In a climactic moment of joy, Bulworth is tragically shot in front of supporters and reporters by Graham Crockett (Paul Sorvino), an agent aligned with the insurance lobby who opposes Bulworth’s pro-healthcare stance. The film closes on an ambiguous note, with Bulworth’s fate uncertain, as an elderly vagrant he encountered earlier implores him not to become “a ghost” but rather “a spirit,” echoing earlier themes of purpose and legacy through song. In the final shot, he invites the audience to join him in this quest for meaning.

Last Updated: October 27, 2024 at 17:59

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