As Tears Go By

In the neon‑lit streets of Mong Kok, a world of tight alleys and constant hum of traffic forms the backdrop for a gritty undercurrent of loyalty and danger. Within this restless city, Wah moves between the shadows of his day‑to‑day work, carrying the weight of a mid‑level enforcer’s reputation while the urban pulse mirrors his inner turbulence. The film’s tone is both intimate and volatile, blending the glossy haze of streetlights with the stark reality of lives perched on the edge of violence.

Wah is not alone in this precarious balance. His protégé, Fly, is a restless, ambitious figure whose fierce energy both fuels and threatens the fragile order they try to keep. Their partnership is marked by an uneasy camaraderie, each aware that a single misstep could tip their world into chaos. The relationship between the two men is a study in brotherhood strained by the pressures of the streets, hinting at deeper questions about loyalty and the cost of survival.

When Wah receives an unexpected visit from his younger cousin Ngor, a quiet presence from a family restaurant on Lantau Island, the rigid contours of his life begin to blur. Ngor brings a softness and a chance at something gentler, offering a glimpse of ordinary life amidst the perpetual night of Mong Kok. Their growing connection sets up a quiet tension: a desire for a different future that conflicts with the demands of the world Wah inhabits.

The film swirls between the claustrophobic, neon‑washed alleys of the city and the calmer, sun‑lit spaces of the island, creating a visual and emotional contrast that underscores the characters’ inner conflicts. It invites the audience to wonder how far a man can stretch loyalty and love before the two forces collide, leaving the promise of an outcome as uncertain as the night itself.

Last Updated: December 03, 2025 at 23:50