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A German expatriate art dealer living in the United States who becomes a Nazi Party member and rises to a government position. His ascent coincides with a chilling estrangement from his friend Max, marking a grim transformation from ally to enforcer of oppressive policy. His rigidity and fear of exposure ultimately drive him to cut ties with those who challenge the regime. The arc probes how power corrupts friendships and moral judgments.

A Jewish art dealer and writer whose friendship with Martin drives the emotional core of the story. He seeks to maintain contact with his friend despite growing political danger and personal risk. Max’s letters become a symbol of intellectual integrity and personal courage in the face of persecution. His fate underscores the human cost of the era’s intolerance.

Griselle is an ambitious actress in Vienna who uses the stage name Stone and rises to a lead role in a Berlin production. Her courage to speak bluntly against censorship ignites a riot, forcing her to face the regime’s wrath. Her relationship with Heinrich and the danger surrounding her reveal the peril that art, identity, and love face under totalitarian rule. Her death becomes a grim ultimate consequence of the time.

Martin and Elsa’s son, he is romantically involved with Griselle. The plot twist reveals that Heinrich is the one who sends the coded letters to Max, highlighting themes of secrecy and the complex loyalties of the younger generation. He embodies conflicted youth torn between familial loyalty and the moral challenges of the era. His discovery at the end marks a painful reckoning with deceptions within the family.

Martin’s wife, who is appalled by her husband’s heartlessness and moral compromises. She takes decisive action to protect the family by planning to move the children to Switzerland, signaling resilience and a moral compass in the face of political terror. Her choice to leave underscores the personal costs of complicity and fear. She embodies the struggle to preserve family in a time of danger.

A high-ranking Nazi official who presses Martin to name his associates and uses threats to coerce cooperation. He represents the confiscation of personal agency by state power and the ever-present danger of surveillance and punishment. His presence heightens the atmosphere of fear and moral compromise that threads through the plot. He embodies the regime’s invasive reach into private life.

The official who insists lines be cut to conform to Nazi doctrine, catalyzing tension between art and politics. His oversight demonstrates how censorship shapes character choices and public speech. The censor’s power illustrates the regime’s control over culture and the personal stakes of artistic expression. His role underscores the atmosphere of fear governing creative life.

A theatre professional who navigates the tension between artistic vision and political demand. His presence anchors the theatrical world within the broader political crisis, highlighting how production and performance become sites of risk and resistance. Through him, the film shows the practical challenges of staging work under censorship. He stands as a witness to the era’s artistic pressures.