Under Suspicion

Tony left the police force because he was having an affair with Hazel, the wife of Powers, someone he was assigned to guard. When Powers returned unexpectedly and discovered the affair, a violent struggle ensued. During the chaos, Powers shot and killed police officer Colin Grace. Tony's involvement in the extramarital affair and the resulting scandal made his position on the force untenable, so he resigned and became a private detective.

Earlier, Tony's willingness to risk his assignment by pursuing Hazel foreshadows his tendency to prioritize personal desires over professional duty.

When Powers returned home unexpectedly and discovered Tony's affair with Hazel, he grabbed his shotgun to confront the intruders. In the ensuing struggle between Powers, Tony, and Frank (Tony's colleague), the gun went off. Powers accidentally shot and killed Officer Colin Grace, who had been part of the surveillance team outside the house. It was not a deliberate killing by anyone, the chaos and violence escalated unintentionally.

The reckless chaos at Powers' house establishes a pattern where Tony's illicit actions trigger unintended violent consequences.

After leaving the police force, Tony struggled financially as a private detective. He discovered a lucrative but crooked niche: fabricating evidence of adultery for people seeking divorces. At the time, divorce laws in England and Wales required proof of infidelity, making his services profitable. Tony would stage photographs showing clients' spouses in compromising situations, often coaching them through elaborate ruses and insisting on expensive hotel rooms to maximize his earnings.

Tony's willingness to exploit vulnerable clients for money hints at his moral flexibility, which later makes him a plausible suspect in the murders.

Stasio had a unique method of authenticating his paintings, he would imprint his thumb onto each canvas to prove provenance. When he was murdered, his thumb was severed and stolen, likely to forge his paintings and sell them as authentic works. This detail became crucial evidence because it revealed a financial motive beyond the apparent love triangle: someone wanted to steal Stasio's thumb to forge his art and profit from his estate.

Tony discovers Stasio's thumb-printing technique while searching the studio, linking the murder to the painter's valuable artistic method.

Stasio's will revealed that he intended to leave everything, including his paintings, to Angeline, his lover, and nothing to Selina, his estranged partner. This was significant because it provided a clear motive for Selina: she would be cut out of Stasio's fortune while Angeline would inherit everything. The will also showed Stasio's intention to divorce Selina and marry Angeline, which deepened the suspicion around who might benefit from his death.

The will creates immediate suspicion toward Angeline as the primary beneficiary, while Selina appears wronged, a dynamic that fuels later conspiracy theories.

Several circumstantial factors pointed to Tony. The murder weapon was traced to Tony, and he had a clear motive: he had met Stasio as a client seeking divorce evidence, giving him access to the hotel room. Additionally, his profession involved staging infidelity scenes and photographing couples in hotels, making him appear capable of orchestrating the murders. The evidence was circumstantial but damning enough to arrest and convict him.

Tony's own dishonest profession, which involves creating false evidence in hotel rooms, becomes the very evidence used to frame him.

Roscoe was a key witness who had connections to rent boys and was being pressured by Frank to reveal information that could clear Tony. Under intense pressure, Roscoe broke down and committed suicide. Before dying, he left a note that directly implicated Tony in the murders, further strengthening the case against him. The suicide note proved devastating to Tony's defense despite being written by someone in emotional distress.

Roscoe's breakdown and suicide echo the film's theme of moral collapse under pressure, adding more circumstantial evidence against Tony.

Angeline testified against Tony because she genuinely believed he was guilty. She claimed she saw a man climbing over the hotel roof on the night of the murders, and importantly, she described a distinctive lighter-banging gesture the killer made. This gesture matched Tony's own mannerism, something Angeline had observed during their relationship. Her testimony about the lighter and rooftop escape became the critical evidence that convicted Tony.

The lighter gesture that Angeline describes in court directly mirrors Tony's own behavior, creating a haunting detail that seems to confirm his guilt.

During the murders, the killer made a distinctive gesture, banging a lighter in a peculiar way. Angeline testified that she saw this same gesture when she observed someone escaping over the hotel roof. Since Tony was known to use his lighter in this exact manner, the prosecution used this as proof of his identity. The gesture became an indelible clue that linked Tony to the crime scene, and the film ends with Tony repeatedly performing this same gesture, leaving his guilt ambiguous.

The lighter gesture recurs at the film's end, suggesting either Tony's guilt or his psychological torment from being falsely accused, or perhaps both.

On the night before Tony's execution, Frank returned to Stasio's house to investigate further. While searching, he discovered Stasio's severed thumb hidden inside Angeline's paint box. This crucial evidence suggested that Angeline had been involved in the murder, likely to obtain the thumb for forging paintings. Frank raced to the prison just in time to stop the hanging, proving Tony's innocence of at least that crime.

The thumb's discovery in Angeline's possession reverses the case entirely, exposing the true culprit while Tony remains condemned for other murders.

When Tony visited Angeline in prison after her arrest, she accused him of conspiring with Selina to frame her for the murders. Angeline believed Tony and Selina had worked together to orchestrate the entire situation, possibly to steal Stasio's paintings and profits. This accusation created a rift between them and introduced another layer of conspiracy into the already complex case.

This accusation plants doubt about whether Tony is entirely innocent or if he orchestrated events from the beginning, adding ambiguity to the finale.

Tony travels to Miami after his release, where he encounters Selina, who has begun releasing Stasio's paintings onto the public market. Selina hands Tony payment and scolds him for falling in love with Angeline, implying their previous alliance involved money and loyalty. The meeting suggests Selina has been profiting from the art sales while Tony was imprisoned, and she hints that Tony's emotions complicated their original plan.

The Miami meeting reveals that Selina has been operating in the shadows, benefitting financially from Stasio's death while Tony was blamed.

In the closing moments, Tony is shown using his lighter in the exact manner described by Angeline in her courtroom testimony, the distinctive banging gesture that supposedly identified him as the killer. The ambiguous ending leaves viewers uncertain whether Tony is guilty of the murders, whether he's traumatized by false accusation, or perhaps both. The gesture haunts him regardless of actual guilt, symbolizing how the trial and evidence have permanently marked him.