They Look Like People

They Look Like People

Year: 2015

Runtime: 80 mins

Language: English

DramaMysteryHorrorHorror

Fleeing a terrifying reality where people are turning into monstrous shape-shifters, Wyatt travels to New York City to reconnect with his childhood friend, Christian. As he navigates the unfamiliar urban landscape, Wyatt grapples with the fear that the horrifying transformation could be spreading, and that those closest to him might be in danger. He must confront his past and rely on Christian to survive the escalating nightmare.

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They Look Like People (2015) – Full Plot Summary & Ending Explained

Read the complete plot breakdown of They Look Like People (2015), including all key story events, major twists, and the ending explained in detail. Discover what really happened—and what it all means.

Close friends Wyatt and Christian, once inseparable, drift back into each other’s orbit in the bustle of New York City. Wyatt has withdrawn after a painful breakup with his fiancée, while Christian, also newly single, masks his insecurities with sculpted muscles and a pushy, aggressive bravado. As they reconnect, [Christian] invites [Wyatt] to stay at his apartment and even schemes a little social nudge: he asks Mara, his supervisor, to invite a friend along on a date.

They arrive to find that Sandy, Mara’s friend, has fallen and hurt herself. [Wyatt] examines [Sandy] and suggests she go to the hospital. The trio spends the evening waiting together, and when [Mara] walks [Christian] to the subway, he falters at a kiss goodnight. [Wyatt] reassures him that Mara is likely still interested, despite how the night ended. After [Christian] falls asleep, [Wyatt] receives an anonymous call—an indistinct voice urges him to flee the city and prepare for a demonic invasion.

Seeking clarity, [Wyatt] hauls his fears to a session with a psychiatrist—but the moment the discussion shifts toward potential possession, [Wyatt] becomes convinced the psychiatrist himself is tormented by demons. Meanwhile, [Mara] and [Christian] continue seeing each other, while Wyatt’s phone calls grow increasingly ominous, now speaking in [Mara]’s voice and warning of apocalypse and the demonic contagion that can inhabit human hosts. He hoards weapons in [Christian]’s basement and wrestles with thoughts of suicide and the urge to harm those he suspects are possessed.

In a surprising turn of confidence, [Christian] believes a promotion might be coming his way, until a cruel reality check arrives: he has been fired. A message on his computer, signed by his coworkers, calls him an asshole. He returns home to find [Wyatt] waiting, and soon [Mara] visits too. The three share uneasy, tense conversation; [Wyatt] pushes for more information about the invasion, probing for answers about the voice he heard. When [Mara] realizes how serious [Wyatt] is, she bolts. [Christian] returns, disappointed that she left, and [Wyatt] grows increasingly agitated, ranting about the approaching apocalypse.

To help, [Christian] arranges a course of psychiatric care, while [Wyatt] confronts Mara in a moment of remorse—she defends herself and injures him. Yet, with remorse in her eyes, she also helps him clean up, even as [Wyatt] is horrified when she suddenly transforms into a demon. Panicked, [Wyatt] escapes and finds [Christian] preparing to join an effort to confront his own insecurities on a broader scale. He urges his friend to leave the city and brace for the oncoming apocalypse, on one condition: [Wyatt] will attend the psychiatric appointment.

As the apocalyptic signs mount, [Wyatt] becomes convinced that [Christian] is possessed and prepares to kill him as he watches the other man transform. In a crucial moment, the vision peaks and [Wyatt] realizes he is hallucinating; recognizing the humanity within [Christian], he frees him. In the aftermath, [Christian] notes that he has finally faced his fears by confronting death, and the two close in a quiet, relieved embrace.

Last Updated: October 03, 2025 at 06:45

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Characters, Settings & Themes in They Look Like People

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