The Rainbow

In the waning light of the late Victorian countryside, a sprawling Derbyshire farm becomes both sanctuary and cage for the restless Ursula Brangwen. The daughter of prosperous landowners Will Brangwen and Anna Brangwen, she spends her childhood chasing rainbows across mist‑laden fields, a habit that turns the simple arc of colour into a metaphor for possibility. The Brangwen household, with its steady rhythms and genteel propriety, offers Ursula a world of comfort but also a set of invisible boundaries that quietly shape her expectations of duty and decorum.

As she steps into womanhood, Ursula’s imagination collides with a burgeoning desire for something fuller than the predictable life laid out before her. A magnetic connection with her older swimming and gym teacher, Winifred, introduces a sensual and intellectual awakening that challenges the era’s strict codes of conduct. Simultaneously, a spirited attraction to the charismatic Anton Skrebensky, a young man on the cusp of his own ambitions, pulls her toward a different sort of freedom—one rooted in adventure and self‑determination. These entanglements hint at a tension between inherited responsibility and the fierce pull of personal expression, setting the stage for a journey that is as much internal as it is external.

The film’s tone is a delicate blend of lush period detail and quiet rebellion, painting the Victorian world in muted but resonant hues while allowing Ursula’s inner light to flicker against the gloom of convention. Through soft lighting, whispered conversations, and the ever‑present motif of the rainbow, the story cultivates an atmosphere of longing and possibility. It invites viewers to contemplate the price of imagination in a time when social mores dictate every step, and to wonder whether a woman like Ursula can ever truly step beyond the arc of what is expected and chase the colour of her own destiny.

Last Updated: December 03, 2025 at 23:45