The Dead

Gabriel is the host of the Epiphany dinner, outwardly urbane and well-educated, eager to present himself as capable and worldly. He places importance on social performance and Irish hospitality, yet harbors insecurities about his own worth and the expectations of others. The evening tests his assumptions about love, loyalty, and his own provincial notions of Ireland.

Gretta is Gabriel’s wife, quiet and introspective, with a depth of feeling that often hides beneath a composed exterior. Her memory of a past love—Michael Furey—casts a melancholy, almost sacramental light on their relationship. Her emotional honesty becomes the emotional fulcrum of Gabriel’s awakening.

Mary Jane is one of Mary Jane Morkan’s music students and a gifted pianist who contributes to the party with a virtuosic performance. She embodies youthful talent and a certain buoyant vitality that contrasts with the more somber conversations around the table. Her presence underscores the intertwining of art and social life in the gathering.

Freddy is the lighthearted yet anxious guest whose drinking and nerves trigger various social exchanges. His gaffes and eccentricities provide comic relief while also exposing the party’s precarious balance between warmth andober-embarrassment. He embodies the fragility of social grace under pressure.

Mr. Browne is the sole Protestant guest at the gathering, representing a religious and cultural contrast within the otherwise Irish-dominated setting. He functions as a perceptive outsider, observing the dynamics with a steady, almost clinical calm. His presence highlights themes of faith, difference, and social boundary.

Bartell D’Arcy is a celebrated tenor who finally sings, captivating a room that has been full of banter and debates. His performance becomes a pivotal moment, drawing attention to art’s ability to move and transform mood. He embodies the tension between public achievement and private fulfillment.

Miss O'Callaghan is one of the music students who participates in the evening’s entertainment. She represents the younger generation’s voice and the bridge between tradition and new artistic expression. Her presence contributes to the party’s musical and social texture.

Miss Furlong is another music student who is formally introduced during the party. Her presence, like the others, adds to the sense of a refined, educated social circle and provides a lens on the era’s gendered expectations within a salon-like setting.

Miss Higgins is one of the music students who participates in the ongoing performances. She contributes to the festive mood and shows the energy and talent of the younger generation at the gathering. Her presence helps illustrate the community’s cross-generational dynamic.

Aunt Julia is one of the elder sisters who hosts alongside her sister, providing warmth and a sense of family continuity. Her memory and experience anchor the evening’s reflections on tradition and the responsibilities of caring for relatives. She embodies the older generation’s steadfast dedication to ritual.

Aunt Kate is the more forward, practical sister who drives the social machinery of the gathering. She keeps the evening moving, comments on the performances, and embodies a practical, sometimes sharp, wit. Her role is to steward the party’s flow and maintain decorum.

Molly Ivors is an Irish nationalist colleague of Gabriel, whose conversations challenge him about Ireland, language, and identity. Her boldness stimulates debate and reveals Gabriel’s discomfort with nationalist stances. She represents a voice of ardent cultural pride within the Irish context.

Mr. Grace is a guest who recites a poem titled 'Broken Vows,' lending a lyrical, melancholic counterpoint to the evening’s convivial talk. His presence adds a performative, literary layer to the party, highlighting themes of love and loss. The moment emphasizes the fragility of happiness and the reach of past sorrows.