The Skywalk Is Gone

The film is set in Taipei, Taiwan, using the city as both a backdrop and a thematic presence. The urban setting features prominent locations like a skywalk, underpasses, stairwells, and coffee shops that define the characters' movements. The cityscape, with its new construction and shifting spaces, becomes a character itself in the narrative.

The skywalk represents a lost space of personal history and connection. The protagonist revisits the location where she first met Hsiao-kang, only to find it replaced by construction and a video screen. Its absence symbolizes how urban change erodes familiar routes and personal memories, reinforcing the film's themes of displacement and loss.

Taipei's rapidly changing cityscape creates a mood of displacement and instability. New construction replaces familiar spaces, forcing characters to navigate a city that no longer feels like their own. This environmental shift mirrors the characters' emotional disconnection and reinforces the theme of urban alienation.

The film follows two primary characters: a woman named Lu Yi-ching (played by Shiang-chyi) who returns to Taipei from Paris searching for her missing ID, and Hsiao-kang (played by Lee Kang-sheng), a quiet man who previously sold her a watch and now pursues work as a pornographic actor. A young woman character also appears, adding to the film's mood of fleeting encounters.

Hsiao-kang is a quiet, patient man who works as a pornographic actor, a career choice that reflects the film's exploration of identity and performance. His journey involves auditioning for roles that test his vulnerability and willingness to perform different personas. He moves through underpasses and stairwells, embodying the film's themes of ambivalence about identity and belonging in a changing urban landscape.

The woman protagonist is Lu Yi-ching, played by Shiang-chyi, who returns to Taipei from Paris. She wanders through the city searching for her missing ID, lingering at coffee shops and confronting the vanished skywalk where she once met Hsiao-kang. Her wandering underscores a sense of memory displaced by time and urban construction.

Urban alienation in the film manifests as the city itself becoming a silent protagonist that distances characters from connection. The skywalk's absence and encroaching construction strip away familiar routes, leaving characters to wander in a city that no longer feels like their own. Small moments like checking an ID or waiting in a coffee shop reveal how modern life fractures human connection, creating a quiet ache for a sense of place.

The film examines how characters choreograph choices that blur private identity with social roles. Hsiao-kang's porn audition places him in a staged reality where clothing and positions signal belonging even as he resists them. The contrast between wearing a doctor's uniform and performing in a porn scene probes how the body becomes an instrument for different personas, suggesting identity is flexible, performative, and tempered by circumstance.

Memory haunts the present as places collapse or alter, forcing characters to navigate echoes of past encounters. The shuttered skywalk and chance crossing on a staircase mark time as slippery, never fully recalled, never fully forgotten. The film juxtaposes real-time clouds rolling by with the stillness of human longing. Change, rather than resolution, becomes the prevailing mood as characters grapple with memory and loss.

The film is set in contemporary times, though no specific year is given. The modern urban setting of Taipei with its construction, video screens, and contemporary spaces places the narrative in the early 2000s era. The lack of a specific time period reinforces the timeless quality of its themes about memory and urban change.

The film presents a contemplative observation of modern urban life as characterized by displacement, fleeting encounters, and the erosion of personal history. Through characters wandering a changing Taipei, the movie explores how urban development removes familiar landmarks and connections. The mood emphasizes ephemerality and the subtle melancholy of missed connections rather than offering resolution or hope.