Year: 1967
Runtime: 101 mins
Language: English
Director: Sidney J. Furie
They discover Sam Laker’s vulnerability and exploit it. Laker, an American industrialist living in Britain, has just won an international design award and plans a trip to East Germany for a trade show, holidaying with his ten‑year‑old son. A former wartime colleague now working for British Intelligence sees the journey as a chance to force Laker, who lacks any intelligence record, into an assassination plot.
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Read the complete plot breakdown of The Naked Runner (1967), including all key story events, major twists, and the ending explained in detail. Discover what really happened—and what it all means.
Martin Slattery is a British civil servant who is suddenly summoned to a minister, stepping into a terse crisis. Frenzel, a spy who had already been arrested, has broken free and is being moved overland toward Moscow. The mission is urgent: ensure Frenzel cannot relay what he knows to the Soviet authorities, and Slattery is ordered to identify an assassin who can do the dirty work.
Unable to rely on his usual contacts, Slattery thinks back to Sam Laker, an American who worked with him during the war. Laker is now a widowed former spy who designs office furniture and lives in London with his young son. Slattery sees in him the exact skill set needed for a targeted hit, but persuading him to kill Frenzel will require care and leverage. Sam Laker is drawn into the picture by duty, nostalgia, and the shadow of danger that still clings to his old life.
To kick things off, Slattery nudges Laker to reach out to Karen Gisevius while he’s in Leipzig for a trade fair. Laker knows Karen from the war, and there’s a history between them that adds a personal edge to the professional risk. After the brief, charged encounter, Laker heads back to the fair, but his path is abruptly redirected when he’s abducted at gunpoint and pulled into a confrontation with Colonel Hartmann, head of the East German security service. Hartmann lays down a stark ultimatum: travel to Copenhagen to carry out an assassination, or his son will be killed. The target appears to be Frenzel, and the implication is clear—Slattery and Hartmann are pulling the strings together.
With the clock ticking, Laker flies to Copenhagen and crosses paths with Anna, a British agent who has secured a hotel room overlooking Frenzel’s suite. Laker handles a sniper’s rifle that is meant for the hit, but when he returns to the hotel, Anna calls the police and he is arrested. Ritchie Jackson, another British agent, eventually arranges his release, and Laker, still carrying the case with the weapon inside, presses on to locate Frenzel. Yet Frenzel’s arrival in Copenhagen never materializes, and the mission takes a turn that reveals deeper manipulation behind the Prague-like web of operations.
What unfolds reveals that the Copenhagen episode was a calculated ruse designed to grind Laker down, heightening his stress and desperation. A telegram arrives, claiming that his son—who, in truth, is relaxing on holiday with Hartmann—has been killed. Slattery had anticipated this blow and bet on Laker’s renewed resolve. Returning to Leipzig, Laker steels himself to confront the man responsible for the hidden trap: Hartmann. He even manages to take the rifle onto the plane as hand luggage, a testament to the level of risk now accepted.
Ruth, another British agent, steps in to assist as Laker intensifies his pursuit. Slattery feeds Ruth what he claims to be Frenzel’s likely movements, bridging danger with deception. The Russians, for their own cryptic purposes, relocate Frenzel to the airport along a desolate motorway, making him an exposed mark. The tension peaks as Laker, driven by a mix of duty and personal vendetta, fires and kills Frenzel, as Slattery had planned. In the end, Slattery and Hartmann drive him away, revealing with a hard twist that his son is alive after all, and the line between justice and manipulation comes into sharp focus.
This tale unfolds as a careful chess game, where loyalty, leverage, and hidden agendas push a man to the edge. The story threads through loyalty to country, the toll of espionage on family, and the cost of executing a mission that may save millions—or destroy a person’s remaining peace.
Last Updated: October 09, 2025 at 14:07
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Ordinary people forced into a deadly game of espionage.Discover movies like 'The Naked Runner' where ordinary civilians are blackmailed or manipulated into becoming spies or assassins. This thread features tense thrillers about moral compromise, psychological pressure, and the devastating cost of being a pawn in a larger game.
The narrative pattern involves an individual with a specific vulnerability being identified and exploited by a powerful, cynical organization. Their journey is one of coercion, where their personal life is used as leverage to force them into performing a dangerous, morally reprehensible act. The conflict is deeply internal, pitting their core values against an inescapable external threat.
Movies in this thread share a focus on psychological manipulation over action, a heavy emotional weight stemming from the exploitation of love or duty, and a tense, claustrophobic atmosphere where the protagonist has no good options.
Spy stories where the mind is the ultimate battlefield.If you liked the tense, psychologically complex atmosphere of 'The Naked Runner', explore these similar Cold War spy films. These stories focus on moral grey areas, emotional blackmail, and the heavy psychological toll of espionage, rather than action-packed sequences.
These narratives unfold in the shadowy, morally ambiguous world of the Cold War. The central conflict is often psychological, pitting individuals against powerful, impersonal systems. The plot revolves around a mission of deception or assassination that forces the protagonist to confront their own morality, leading to a conclusion that is rarely a clear victory, often leaving deep emotional scars.
These films are grouped by their specific historical setting, their dominant tone of paranoia and tension, their focus on the psychological rather than physical aspects of spying, and their tendency to deliver bittersweet or bleak resolutions that reflect the cynicism of the era.
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