Year: 2002
Runtime: 97 min
Language: English
Director: Oliver Parker
Two carefree bachelors, John Worthing and Algernon Moncrieff, invent alter egos to avoid their social obligations and pursue romantic interests. John creates the persona of "Ernest" to escape his responsibilities, while Algernon uses "Ernest" to charm his way into society. Their deceptions become increasingly complicated when both become engaged to women who are captivated by the name "Ernest," leading to hilarious misunderstandings and a tangled web of mistaken identities that threatens to expose their elaborate charade.
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In a world where strict social codes dominate every conversation, the story unfolds against the polished backdrop of late‑Victorian England. The genteel milieu, with its tea‑rooms, drawing‑rooms and endless emphasis on propriety, becomes a playground for subtle rebellion. Witty dialogue and a gently mocking tone underline the clash between the characters’ desire for freedom and the expectations that bind them.
John Worthing is a seemingly respectable gentleman who has found a clever loophole to slip away from the confines of his country estate. By inventing a mischievous younger brother named “Ernest,” he grants himself permission to indulge in the lively temptations of the city whenever duty calls. Across town, the equally carefree Algernon Moncrieff shares this penchant for subverting decorum, adopting the same fictitious persona to navigate society’s demands with a grin.
Both men quickly discover that the name “Ernest” carries an unexpected allure, especially among the women they encounter. Their romantic pursuits become tangled in a series of charming deceptions, each hoping that their invented identity will win the affection they seek. As misunderstandings multiply, the comedy of errors grows richer, highlighting the absurdity of placing so much weight on a name while poking fun at the rigid class structures that govern love and reputation.
Through clever repartee and a light‑hearted satire of aristocratic life, the film invites the audience to question how much of ourselves we conceal—or fabricate—to fit into a world that prizes appearance above authenticity. The stage is set for a delightful dance of wit, mistaken identities, and the ever‑present question of what it truly means to be “Ernest.”
Last Updated: August 10, 2025 at 11:26
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