The Devil and Max Devlin

In the seedy underbelly of Los Angeles, a crumbling tenement house serves as the backdrop for a story that mingles low‑life grit with otherworldly intrigue. Max Devlin, a wiry landlord who has learned to profit from the despair of his tenants, meets a sudden end in a bus‑sized collision that flings him into an unexpected afterlife. There, a sleek, corporate‑styled version of Hell greets him, where the devil’s chief lieutenant, Barney, offers a tempting loophole: a chance to return to the living world if Max can persuade three innocent souls to barter theirs within two months.

The bargain comes with a twist. Max is granted limited supernatural abilities—enough to tip the scales of fate—but also placed under strange restrictions, such as an inability to see his own reflection. The three targets span a broad spectrum of vulnerability: a teenage girl with big dreams, a restless adolescent yearning for popularity, and a seven‑year‑old boy whose simple request—to see Max marry his widowed mother—adds a surreal, almost childlike demand to the mix. The premise sets up a clash between Max’s street‑wise cynicism and the naive hope of those he is meant to tempt, creating a tension that feels both comedic and ominously moral.

The film balances a tone that is at once sardonic and wistful, using its supernatural premise to comment on ambition, desperation, and the bargains people make for a shot at a better life. With a visual palette that shifts from gritty urban realism to the stylized eeriness of an infernal corporate office, the story invites the audience to wonder whether Max will become the manipulator the devil desires—or uncover something more unexpected in the process.

Last Updated: December 04, 2025 at 17:24