The Bad Intentions

In 1980s Peru, a country still echoing the reverberations of political upheaval, the rhythm of everyday life is a delicate balance between privilege and uncertainty. Gated estates on the outskirts of Lima sit against a backdrop of sirens and looming change, creating a world where the innocence of childhood is constantly measured against the weight of history. The film’s muted palette and lingering cinematography invite the viewer to feel the quiet tension that pervades both public squares and private homes.

…Cayetana de los Heros is an eight‑year‑old girl whose world is defined by solitude and ritual. Raised in a comfortable middle‑class household, she travels to school in a chauffeur‑driven car, yet the polished exterior masks a profound sense of isolation. Her parents are divorced; a distant, charismatic father appears only in fragments, while her remarried mother and stepfather maintain a careful, almost performative domesticity. Servants tend to her needs, yet she often retreats into hidden corners, preferring the silence of empty rooms over the chatter of relatives.

Within this carefully constructed life, Jimena, Cayetana’s chronically ill cousin, becomes a rare source of companionship. Their brief moments together—sharing food, whispered confidences, and quiet solidarity—offer a glimpse of warmth that the larger family structure cannot provide. It is during these fragile exchanges that Cayetana nurtures a solemn conviction: she believes she will meet her end on the very day her mother gives birth to a new sibling. This premonition colors her interactions, casting a shadow over celebrations and everyday routines alike.

The film moves with a measured, contemplative pace, allowing the audience to inhabit Cayetana’s internal landscape as much as the physical one. The mood is one of restrained melancholy, punctuated by fleeting flickers of hope that emerge through the tender, if uneasy, bonds she forms. As the political and personal spheres subtly intertwine, the story invites viewers to contemplate how a child’s inner world can both reflect and resist the larger forces shaping her country.

Last Updated: September 26, 2025 at 04:39