The Art of Getting Along

In the bustling alleys of post‑war Catania, a city caught between old traditions and the restless tide of modern politics, the everyday becomes a stage for relentless ambition. The atmosphere crackles with a mix of hopeful reconstruction and the hurried reshuffling of power, where social clubs, street cafés, and municipal offices all pulse with the same restless energy. It is a world where ideologies rise and fall as quickly as the morning espresso, and the public’s loyalty shifts as easily as the city’s weather.

At the centre of this chaotic tableau moves Rosario Scimoni, a charismatic nephew of the town’s mayor whose quick grin and silver tongue make him a fixture in every conversation about influence. Known affectionately—if skeptically—by the nickname Sasà, he navigates the corridors of power with a fluidity that mirrors the very political swings around him. Whether he is courting a fervent socialist or a rising fascist, his charm adapts, his wit sharpens, and his eyes always scan for the next opening. Relationships, both personal and professional, become tools in his ever‑expanding repertoire, hinting at a man who measures success less by principle than by the promise of advantage.

The film treats this relentless opportunist with a warm, satirical grin, blending slapstick moments with razor‑sharp social commentary. Its comedy is rooted in the absurdity of a society that rewards the chameleon over the steadfast, and the narrative delights in exposing the fickle nature of Italian politics through Sasà’s endless reinventions. As the city’s streets echo with the clamor of shifting banners and hopeful crowds, the audience watches a man who ever‑ready to pivot, never quite settling, yet somehow always managing to stay a step ahead of the very forces he exploits.

Last Updated: December 05, 2025 at 09:32