Year: 1975
Runtime: 123 min
Language: French
Director: Ousmane Sembene
Set against the backdrop of post-colonial Senegal, this film explores the disillusionment of the African Socialism movement. A wealthy and corrupt businessman’s lavish third marriage unravels when he becomes ensnared by the ancient curse of Xala. This leaves him stripped of his power and fortune, forcing him to confront the complex and often hypocritical nature of progress and the lingering effects of past oppression.
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Read the complete plot breakdown of Xala (1975), including all key story events, major twists, and the ending explained in detail. Discover what really happened—and what it all means.
As the era of French colonial rule comes to a close in Senegal, the newly appointed members of the Senegalese Chamber of Commerce enthusiastically celebrate the election of their first Senegalese president. Outside the Chamber, vibrant singers and dancers add to the festive atmosphere while the newly inaugurated members take it upon themselves to discard French artifacts from their offices, pushing out the remaining French board members. Their influence, however, is not easily shaken; when the departing French return with suitcases full of cash for the Senegalese members, they are welcomed back, leading to a controversial exchange of power.
Among the new board members is El Hadji Abdoukader Beye, a Senegalese businessman played by Farba Sarr, who harnesses his newfound position to bolster his personal affairs. In an attempt to expand his influence and social standing, he decides to take on a third wife, a young woman from a beloved family, despite opposition from his first two wives. This act is seen as a testament to his success but brings unforeseen complications. On their wedding night, however, El Hadji faces a shocking reality—he finds himself unable to consummate the marriage due to impotence, leading him to suspect that his condition may be the result of supernatural forces stemming from his discontented wives.
His search for a solution leads him to seek counsel from local marabouts, engaging in rituals and charms to combat what he perceives as a curse on his masculinity. Despite having previously dismissed such traditional beliefs, desperation compels him to explore these avenues. His impotence eventually seems to reverse, courtesy of a marabout his driver recommended, but worries remain—he is informed that the curse, known as xala, could easily resurface. Compounding his plight is the unfortunate timing of his new wife’s menstrual cycle, further delaying the consummation of their marriage.
As personal troubles steadily mount, El Hadji’s businesses begin to flounder. Shipments fail to arrive, and financial institutions refuse to grant him loans. The revelation of his dubious actions—specifically, selling the national grain reserves to a Moorish merchant—has severely tarnished the reputation of the Chamber of Commerce board. In a meeting intended to address El Hadji’s misconduct, he does not shy away from admitting his corruption, instead shifting blame to his fellow board members, whom he claims are equally dishonest. Ultimately, he is ousted, replaced by a former pickpocket with a notorious history.
Stripped of his business and assets, El Hadji finds himself at the mercy of the state, which has seized his possessions due to his fraudulent dealings. Meanwhile, the same marabout who once alleviated his impotence returns, reminding him that the very ailment he overcame could easily recur. With nowhere else to turn, El Hadji reluctantly returns to the home of his first wife, only to discover that his second wife has fled and his third wife’s family has rescinded their wedding gifts.
Haunted by the news of his regained impotence, El Hadji encounters a blind beggar on the streets who had previously been expelled from his business premises. This beggar claims to possess the ability to lift El Hadji’s affliction by exposing him to his own humiliation, demanding that El Hadji stand naked among a group of beggars and allow them to spit on him. In a desperate bid to rid himself of the alleged curse, El Hadji finds himself forced to accept this undignified penance, fully aware that his journey is both a reflection of his failures and a path toward the redemption he seeks.
Last Updated: May 12, 2025 at 07:03
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Stories exposing the absurdities and hypocrisies of new ruling classes.If you enjoyed the sharp social critique of Xala, explore more movies like it that use satire to dissect political corruption and hypocrisy. These films often blend drama and comedy to expose the absurdities of power in post-colonial or turbulent societal settings, offering a similarly cynical and thought-provoking viewing experience.
Narratives typically follow a flawed, often powerful protagonist whose greed or hypocrisy leads to a public and humiliating downfall. The story structure serves as an allegory, where a personal crisis reflects a broader societal sickness, unfolding with a steady, methodical pace towards a bleak or unresolved conclusion.
These films are grouped by their shared purpose: to critically and satirically examine power structures. They possess a darkly comic tone, a steady pacing that builds to a climax of exposure, and a focus on the gap between public ideals and private corruption.
Where a character's personal incapacity symbolizes a wider societal collapse.Discover movies similar to Xala that use a central metaphor—like impotence—to represent broader themes of political and moral failure. These films share a bleak tone and a focus on humiliation, exploring the connection between personal weakness and the collapse of social ideals, perfect for viewers who appreciated Xala's allegorical depth.
The narrative revolves around a protagonist whose specific personal failing becomes an inescapable symbol of their wider inadequacy. The story chronicles their growing desperation and humiliation as this flaw strips them of power, status, or identity, leading to a conclusion that offers little hope or redemption.
These movies are connected by their use of a central, symbolic affliction to drive both plot and theme. They share a bleak feel, a steady pacing that emphasizes decline, and a focus on the intersection of the deeply personal with the critically political or social.
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