Year: 1983
Runtime: 107 mins
Language: English
Director: Richard Eyre
Set against the backdrop of the UK’s entry into the Falklands War, a BBC news journalist from a working‑class background will stop at nothing to rise socially, manipulating colleagues and loved ones to achieve his ambitions. His relentless scheming is ultimately undone when he falls victim to an even more sophisticated betrayal.
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James Penfield, Jonathan Pryce, is an ambitious London-based BBC radio reporter who rises from humble origins to an Oxford-educated professional. He is commissioned to write a book on the Suez Crisis, claiming not to be a socialist, even as the Falklands War dominates the British media.
James Penfield becomes attracted to Susan Barrington, Charlie Dore, a snobbish upper-class TV journalist, and is introduced to her by his Oxford friend, Jeremy Hancock, Tim Curry, a fellow TV journalist. Despite his persistence, he cannot get beyond a late-night kiss from her; so Jeremy suggests he contact her mother, Ann Barrington, Rosemary Harris, a prominent left-wing historian who is married to advertising film director Matthew Fox, Frank Finlay.
With Ann, James presents himself as a socialist, spending more time with her than with Susan; they share long conversations and walks on the Norfolk Broads. Meanwhile, James’s mother is dying, and he had earlier told Susan that his parents were dead to disguise his origins; he is forced to identify his mother only as a relative when his father contacts him while he is with Ann.
Back in London, he needs help from members of a women’s peace camp after a puncture; at first mistaken for another BBC man, he feigns sympathy toward the group protesting outside a Norfolk airbase. On another visit to Norfolk with an uninterested Susan, James walks alone with Ann, who kisses him and later has sex with him.
James returns to his work in London, and over a ploughman’s lunch and beer with Matthew Fox, Fox consents to James making love to his wife, since the couple had slept in separate beds for the last three years. James refuses to take calls from Ann when she tries to contact him at the BBC. He’s asked by another Oxford friend, an up-and-coming poet, to end the relationship, while he sits idly by reading advertisements in Exchange and Mart.
James, Jeremy, and Susan travel to Brighton together to cover the 1982 Conservative Party Conference. At the start of the conference, James begins to suspect that the other two are romantically involved, and asks Jeremy if he is up to something. Later, during the conference, he attempts to talk to Susan but she brushes him off; he then sees her and Jeremy caressing each other, having returned from a hotel room.
The conference finishes with Thatcher’s closing address as she rouses popular support following the Falklands War, and afterwards James confronts Jeremy in the Brighton Centre, rebuking him for having betrayed him; Jeremy tells him that he has known Susan for fifteen years and that they are “old allies.”
James has a conversation with his publisher about the success of his book. He then attends his mother’s funeral, standing grim-faced and aloof at his father’s side, as he impatiently checks his watch.
Last Updated: October 09, 2025 at 14:28
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Character studies of ruthless ambition set against a backdrop of political turmoil.If you liked The Ploughman’s Lunch, you'll find similar stories here. This thread gathers dramatic character studies about ambitious individuals manipulating their way to the top, set against significant political events. Explore movies that share a dark, observant tone and explore themes of betrayal and the emptiness of success.
The narrative follows a calculating protagonist, often from a disadvantaged background, as they strategically betray colleagues and loved ones to achieve their goals. Their success is ultimately revealed to be spiritually and emotionally bankrupt, underscored by a pivotal political or social event that highlights their alienation.
These films are grouped by their shared focus on the dark side of ambition, a steady, observational pacing that allows for character depth, and a consistently cynical tone. They explore the psychological cost of social climbing and the connection between personal and political moral decay.
Stories where intimate deceptions mirror larger societal conflicts.Find movies similar to The Ploughman’s Lunch in this collection of character-driven dramas. These films explore complex themes of adultery, emotional manipulation, and betrayal, unfolding at a steady pace that emphasizes psychological depth. If you appreciated the film's focus on deception and its consequences, you'll discover more thoughtful, dark-toned stories here.
The narrative pattern involves a web of personal betrayals—often including adultery and professional deception—that unfold in parallel with a significant societal or political event. The steady pacing allows the full weight of each betrayal to settle, leading to an ending where characters achieve a goal but suffer profound personal loss, creating a bittersweet resolution.
Movies are grouped here based on their shared mood of deception and melancholy, a steady pacing that builds psychological tension, and a central theme of betrayal that operates on both micro (personal relationships) and macro (societal) levels. The experience is one of observing a inevitable, grimly fascinating moral collapse.
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