That Lady in Ermine

In the spring of 1861 a tiny Italian principality perched on the Swiss border finds its tranquil routine turned into a flamboyant spectacle. The film bursts with bright costumes, exuberant choreography, and a sparkling score that celebrates both romance and rebellion. Its tone is unapologetically cheeky, a gay musical comedy that lets history wobble under glittering lights and mischievous winks, inviting the audience to revel in the absurdity of a palace under siege.

At the heart of the story is Angelina, the newly‑married countess who has just taken the reins of her family’s realm. Though she bears the weight of governance, she also carries a fresh marital promise, yearning to honor her vows while navigating the sudden arrival of foreign troops. Her confidence is buoyed by an unexpected mentor: the portrait of her daring ancestor Francesca, whose legendary deeds echo through the centuries and who steps from canvas to counsel, offering timeless advice as the present threatens to repeat the past.

Adding a deliciously spicy flavor to the political dance is the charismatic Hungarian commander, Colonel Teglash. His rakish charm and striking presence stir more than strategic curiosity in the countess, hinting at a magnetic pull that blurs the line between duty and desire. The colonel’s arrival transforms a routine power play into a tantalizing showdown where personal attraction competes with the demands of war.

All of this unfolds against a backdrop of lavish ballrooms, bustling courtyards, and a gallery of ancestral faces that seem to watch and whisper. The film’s energy crackles with the promise of song‑filled intrigue, playful banter, and the ever‑present question: will love or loyalty win the day in a kingdom where history, heritage, and heart all sway to the same lively rhythm?

Last Updated: December 05, 2025 at 09:48